Originally posted by MickyD
View Post
Early Music on Record Review
Collapse
X
-
Originally posted by ardcarp View PostIn his sleeve notes, Rene Jacobs apparently supported using a choir (rather than OVPP) saying that Bach was known to have wanted to have more money to pay for more singers. (Did Rifkind mention that?)[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
Comment
-
-
26 March
Apologies for this double posting but just in case;
09.00
Biber: Imitatio
BIBER: Serenade in C major "Nightwatchman's Call"; Balletti Lamentabili; Sonata violino solo representativa in A; Sonata a viol. e viola; Serenata con altre arie a 5; Toccatina sopra la Ribellione di Hungheria; Sonata VI for violin and basso continuo; Sonata A. 3. ex G. B Moll; Battalia
Ricercar Consort
MIRARE MIR302 (CD)
Comment
-
-
2nd April
10.15am - New Early and Baroque Releases
Dresden Treasures
ANON.: Six Concertos (from the Schranck II manuscript of Saxon State and University Library)
Ketil Haugsand, Les Amis de Philippe, Ludger Remy (Director)
Conversations: Quentin & Guillemain
Nevermind*
*TTN Thursday 17 March
Jonathan Swain presents a concert of early music from the 2014 Poznan Baroque Festival featuring the Nevermind ensemble.
(not the same concert)
Sonates et Suites
Dan Laurin (recorder), Domen Marincic (cello), Anna Paradiso (harpsichord)
A Tribute to Bach: Bach Flute Sonatas & Arias
Elizabeth Cragg (soprano), Charles Daniels (tenor), Peter Harvey (bass), Rachel Brown (flute), Katherine Sharman (piccolo cello), Laurence Cummings (organ)
Handel: Trio Sonatas for Two Violins and Basso Continuo
The Brook Street Band
Handel at Vauxhall, Volume 1
Eleanor Dennis (soprano), Greg Tassell (tenor), Benjamin Bevan (baritone), Kirsty Hopkins (soprano), Charles MacDougall (tenor), Sophie Bevan (soprano), Daniel Moult (organ), London Early Opera, Bridget Cunningham
Please Host, any chance of amending the thread title?
Comment
-
-
4 June
10.25 Les Arts Florissants
CHARPENTIER, M-A: Les Arts Florissants (Idyle en musique) H.487
Monteclair: Cantates a une et trois voix avec symphonie
MONTECLAIR: La mort de Didon; Il Dispetto in Amore; Le Triomphe de l'Amour; La Morte di Lucretia; Pyrame et Thsibe
Rameau: Pygmalion & Nelee et Myrthis
[ed.] Plus
Chorus vel Organa
LUDFORD: Lady Mass Cycle; Missa Lapidaverunt Stephanum
CORNYSH: Magnificat; SHEPPARD, J: Sancte Dei pretiose
Magnus Williamson (organ), Choir of Gonville, Caius College Cambridge, Geoffrey Webber (conductor)Last edited by doversoul1; 04-06-16, 08:17.
Comment
-
-
Chorus vel Organa
LUDFORD: Lady Mass Cycle; Missa Lapidaverunt Stephanum
CORNYSH: Magnificat; SHEPPARD, J: Sancte Dei pretiose
Magnus Williamson (organ), Choir of Gonville, Caius College Cambridge, Geoffrey Webber (conductor)
Breathing new life into the long-unheard polyphonic harmonies of an illuminated Tudor choirbook would be a fascinating act of musical resurrection at the best of times. But to perform the music in as authentic a style as possible in the very (Royal) setting for which it was written 500 years ago adds a unique historical frisson. Today, a touch of Wolf Hall comes to Westminster when the music of the Caius Choirbook, a vast hand-illustrated tome in the library of Gonville & Caius, returns to its musical home just a few metres from the present Commons chamber.
and here's the CD
Last edited by ardcarp; 04-06-16, 13:56.
Comment
-
-
Did anyone hear the music for Alfonso Xth ? The bit of 'anon' plainsong was very beautiful, but surely the accompanying vocal parts (mainly in organum-style fifths) were highly conjectural? I could not make out whether this was part of Hesperion XXI's disc [AliaVox AVSA9915] or something separate.Last edited by ardcarp; 11-06-16, 12:50.
Comment
-
-
18 June
9.00am
John Blow: Symphony Anthems: Choir of New College Oxford, St James’ Baroque (on period instruments), Robert Quinney (conductor)
PURCELL, CORBETTA, DRAGHI, G B, SIMPSON, C,: Carolyn Sampson (soprano), Elizabeth Kenny (lute), Jonathan Manson (viol), Laurence Cummings (harpsichord)
10.30 am New Releases (Early and Baroque)
DOWLAND: Lachrimae, or Seaven Teares
Phantasm, Elizabeth Kenny (lute)
Legrenzi: Sonate & Balletti
Clematis
CORBETTA, LISLEVAND, VISEE,
Rolf Lislevand (baroque guitar and theorbo)
Telemann: The Grand Concertos for Mixed Instruments, Vol. 3
La Stagione Frankfurt, Michael Schneider (conductor)
Telemann: Complete Suites & Concertos for Recorder
Erik Bosgraaf (recorder, direction), Ensemble Cordevento
Comment
-
-
Richard Tarleton
Will listen with interest to this. Liz Kenny is busy these days! I have 2 or 3 versions of Lachrimae....Corbetta was widely travelled - Gaspar Sanz called him El mejor de todos.... He came to England with Charles ll at the Restoration, and is mentioned in Pepys's Diary (August 5, 1667) - "...I there spied Signor Francisco,tuning his guitar...."
Comment
-
John Blow: Symphony Anthems: Choir of New College Oxford, St James’ Baroque (on period instruments), Robert Quinney (conductor)
Comment
-
Comment