Same here on Anacreon and already ordered....
Early Music on Record Review
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Black Swan
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Haven't heard this 'segment' of the programme yet... Sounds expensive!
(Listening to the new Stile Antico recording on iTunes Music at the moment though. You get a 'bonus track' on iTunes in the shape of the Peter Cornelius 'Three Kings' - which I'm not sure is particularly 'bonus' ... ... or Renascent...)"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by vinteuil View Post... this sounded gorgeous. And an important addition for any ramellian - the 1754 Anacreon is a totally different work from the 1757 Anacreon which Wm: Christie and Marc Minkowski have given us.
God, I love Rameau...
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All this in 10 minutes: 16 January
(Would Host please change the title of the thread?)
10.20am
D. Scarlatti: Sonatas
SCARLATTI, D: Keyboard Sonata K380 in E major; Keyboard Sonata K96 in D major; Keyboard Sonata K109 in A minor; Keyboard Sonata K427 in G major; Keyboard Sonata K69 in F minor; Keyboard Sonata K141 in D minor; Keyboard Sonata K140 in D major; Keyboard Sonata K27 in B minor; Keyboard Sonata K13 in G major; Keyboard Sonata K8 in G minor; Keyboard Sonata K430 in D major; Keyboard Sonata K113 in A major; Keyboard Sonata K29 in D major; Keyboard Sonata K87 in B minor; Keyboard Sonata K159 in C major 'La caccia'; Keyboard Sonata K9 in D minor
Angela Hewitt (piano)
HYPERION CDA67613 (CD mid-price)
Avison: Concerti Grossi after Scarlatti
AVISON: Concerto grosso after Scarlatti, No. 3 in D minor; Concerto grosso after Scarlatti, No. 6 in D major; Concerto grosso after Scarlatti, No. 4 in A minor; Concerto grosso after Scarlatti, No. 5 in D minor; Concerto grosso after Scarlatti, No. 9 in C major; Concerto grosso after Scarlatti, No. 11 in G major
Concerto Koln
BERLIN CLASSICS 0300702BC (CD)
Las Ciudades de Oro
L'Harmonie des Saisons, Eric Milnes (conductor)
ATMA ACD22702 (CD)
Chaconne: Voices of Eternity
Ensemble Caprice, Matthias Maute
ANALEKTA AN29132 (CD)
Yo Soy La Locura 2
Raquel Andueza, La Galania
ANIMA E CORPO AEC005 (CD)
Brazilian Adventures
CYRO DE SOUZA: Ascendit Deus
LOBO DE MESQUITA: Tercio: Padre nosso; Tercio: Ave Maria; Tercio: Gloria
NUNES GARCIA: Missa pastoril para a noite de natalMissa pastoril para a noite de natal
PINTO, L A: Licao de solfejo No. 25; Divertimentos harmonicos: Oh! Pulchra es; Divertimentos harmonicos: Beata virgo
SILVA GOMES: Missa a 8 vozes e instrumentos
Ex Cathedra, Jeffrey Skidmore (conductor)
HYPERION CDA68114 (CD mid-price)
10.30am – New Chamber Music Releases
Last edited by doversoul1; 15-01-16, 21:15.
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Originally posted by doversoul View PostLas Ciudades de Oro
L'Harmonie des Saisons, Eric Milnes (conductor)
ATMA ACD22702 (CD)
Yo Soy La Locura 2
Raquel Andueza, La Galania
ANIMA E CORPO AEC005 (CD)"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by Caliban View PostOh dear... must be me... I find that syncopated, pre-jazzy Mexican etc choral music really boring...
(Sorry to have jumped on the bandwagon. I’m feeling a bit lazy)
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5 March
9.00 am
The Secret Lover
CACCINI, FRESCOBALDI, INDIA and more
TENET, Jolle Greenleaf, Molly Quinn (soprano), Virginia Warnken Kelsey (mezzo-soprano)
10.20am – New Releases: Vivaldi
Vivaldi: Complete Concertos & Sonatas Opp. 1-12
Federico Guglielmo (solo violin, concert master), L’Arte dell’Arco
La stravaganza - 12 concerti Op. 4
Rachel Podger (violin), Arte Dei Suonatori Baroque Orchestra
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Richard Tarleton
Originally posted by doversoul View PostLa stravaganza - 12 concerti Op. 4
Rachel Podger (violin), Arte Dei Suonatori Baroque Orchestra
http://www.bbc.co.uk/programmes/b072hc90
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12 March
10.20am – New Baroque Releases
Comedie et Tragedie, Vol. 2
CHARPENTIER, M-A: Le Malade imaginaire: Suite
LECLAIR, J-M: Suite from Scylla et Glaucus
RAMEAU: Les Fetes de Polymnie: Suite
Tempesta di Mare, Philadelphia Baroque Orchestra
Ariosti: London – aris for alto
Filippo Mineccia (countertenor), Ensemble Odyssee, Andrea Friggi
Zelenka: Missa Divi Zaveri & Litaniae de Sancto Xaverio
Collegium 1704, Collegium Vocale 1704, Vaclav Luks
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19 March
Plenty of goodies.
10.20am - New Easter Releases
BERTALI: La Maddalena (Vienna 1663) and works for La Maddalena in Mantua 1617 (by Monteverdi, Guivizzani, Effrem and Rossi): Scherzi Musicali, Nicolas Achten (director)
Alessandro della Ciaia: Lamentationi: Roberta Invernizzi (soprano), Laboratorio ’600
Gaetano Veneziano: Passio: Ghislieri Choir, Cappella Neapolitana, Antonio Florio (conductor)
Dresden Passion: Cappella Sagittariana Dresden, Norbert Schuster (conductor)
Haec dies: Music for Easter: Choir of Clare College Cambridge, Matthew Jorysz (organ), Graham Ross
10.40am - Hannah French on New Baroque Releases
Hannah French joins Andrew to discuss recent releases of Baroque repertoire including Handel's Israel in Egypt, bassoon concertos by Vivaldi and violin concertos by Johann Ernst of Saxe-Weimar.
11.40am - Disc of the Week
BACH, J S: St John Passion, BWV245 (1749 version plus appendices from 1725)
Akademie fur Alte Musik Berlin, RIAS Kammerchor, Staats-& Domchor Berlin, Rene Jacobs (conductor)
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I enjoyed Rene Jacobs' St John Part 1. A lovely choral sound. He gave portions of the opening chorus to solo voices. Does this have any historical validity? Not that I'm complaining....it worked well. In his sleeve notes, Rene Jacobs apparently supported using a choir (rather than OVPP) saying that Bach was known to have wanted to have more money to pay for more singers. (Did Rifkind mention that?) The four soloists (not the Evangelist) all sang in the chorus, and I was amused that Jacobs had said they had to learn some humility in that role, whereas the dozen boy choristers had to be prepared to give it more wellie. (I am paraphrasing, of course.)
The only criticism I have is that the Soprano and Alto arias felt ever-so-slightly rushed along by an unforgiving tempo. Not so the Tenor, who gave an admirable account of that rather tricky little number, Ach mein Sinn.
As the St John Passion is somewhat over represented among the CDs on our shelves, I'm not sure I can justify buying this one, but I'd recommend it for anyone who wants a recent version that avoids the extremes of HIPP. It also includes some of the alternative numbers which Bach wrote over the years.
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