Looks like there will be a tribute in Music Matters afterwards, ds, with interviews with Davitt Moroney and James Bowman. Quick work on R3s part...
Early Music on Record Review
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Originally posted by doversoul View Post10.15
Andrew is joined live in the studio by a panel of Early Music enthusiasts in the shape of Caroline Gill & Simon Heighes to discuss recent releases of baroque music including a 30th anniversary disc from Concerto Italiano and the final release under Jeanne Lamon as Music Director of Tafelmusik
http://www.bbc.co.uk/programmes/b04jj37s
"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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I loved the Bach Trio Sonatas "re-imagined" for chamber ensemble (another one for the 'arrangements' thread, this) - I've acquired album on lossless download. Wonderful sound and a new light on the music. (In CD Review, Ms Gill was a bit sniffy about it, but Mr Heighes was more positive). Apart from anything else, this will be wonderful driving music - so it's going straight on the car iPod!
"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by Caliban View PostI do continue to find Buxtehude dull, though. Does that make me a bad person?
Originally posted by Caliban View PostI loved the Bach Trio Sonatas "re-imagined" for chamber ensemble (In CD Review, Ms Gill was a bit sniffy about it).
... well, two black marks.
Three strikes, and ....
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Originally posted by vinteuil View Post... well, two black marks.
Three strikes, and ....
O I so often feel like Toby Belch to your Malvolio...
Bring on the cakes and ale!"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by Caliban View Post
Doesn't listening to music whilst driving also incur a Black Maria Mark?I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I am not a number, I am a free man.
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18 October
9.00 am
Amadis by Lully: Les Talens Lyriques, Christophe Rousset
Filiae mestae - motet in C minor by Vivaldi: : Philippe Jaroussky & Ensemble Artaserse,
A gentill Jhesu for 4 voices by Sheryngham: Hilliard Ensemble
Saltarello by Alfonso X: Jordi Savall (rebec), Pedro Estevan (percussion)
10.40 (my guess)
Rameau Anniversary Recordings
The harpsichordist Sophie Yates talks to Andrew about recent releases of music by Jean-Philippe Rameau in this anniversary year including a box set from the man who arguably awoke the world to the genius of Rameau, William Christie, and conductors who cut their teeth in his ensemble Les Arts Florissants, Hervé Niquet and Hugo Reyne.
This sounds (looks) very good.
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Black Swan
Originally posted by doversoul View Post9.00 am
Amadis by Lully: Les Talens Lyriques, Christophe Rousset
Filiae mestae - motet in C minor by Vivaldi: : Philippe Jaroussky & Ensemble Artaserse,
A gentill Jhesu for 4 voices by Sheryngham: Hilliard Ensemble
Saltarello by Alfonso X: Jordi Savall (rebec), Pedro Estevan (percussion)
10.40 (my guess)
Rameau Anniversary Recordings
The harpsichordist Sophie Yates talks to Andrew about recent releases of music by Jean-Philippe Rameau in this anniversary year including a box set from the man who arguably awoke the world to the genius of Rameau, William Christie, and conductors who cut their teeth in his ensemble Les Arts Florissants, Hervé Niquet and Hugo Reyne.
This sounds (looks) very good.
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Originally posted by doversoul View Post9.00 am
The harpsichordist Sophie Yates talks to Andrew about recent releases of music by Jean-Philippe Rameau in this anniversary year including a box set from the man who arguably awoke the world to the genius of Rameau, William Christie
I parachuted into the middle of this, just before 11am - I heard what was clearly the death scene from 'Hippolyte et Aricie'... but I assumed it was a historic (as opposed to HIP) recording, dredged perhaps from some radio archive in the '60s, perhaps the youthful Christie cutting his teeth in the US with a 'pre-authentic' chorus and soloist - warbly choir, fruity soloist. Interesting, perhaps, but basically unlistenable to. I was astonished to hear that it was the Glyndebourne production from last year... with Sarah Connolly...
And yet not that astonished. When Sophie Yates (with whose opinions I disagreed almost 100%) started taking about The Fridge - I realised with a start that I'd actually gone to that production. It provided 2 or 3 of the most annoying hours I've ever spent in an enclosed space - it was not only the design, which I found fatuous, but there was very little to enjoy musically (apart from some of Rameau's amazing inventivity).
It was covered in this thread: http://www.for3.org/forums/showthrea...t-Glyndebourne
I see I thought at the time that it was the insane production that impeded musical appreciation - I wonder now, having heard the sound-only excerpt this morning, if there was another reason...."...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by Caliban View Post
.... When Sophie Yates (with whose opinions I disagreed almost 100%) ...
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Black Swan
I missed this and after Cali and Vinteull comments, I am not sure if I should listen on the inlayer. I was interested in Les Fetes de l'Hymen et de l"amour, ou Les Dieux d'Egypte. Was it well reviewed? Comments?
I was very impressed with the selection form Amadis and am considering purchasing this one.
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