If this is your first visit, be sure to
check out the FAQ by clicking the
link above. You may have to register
before you can post: click the register link above to proceed. To start viewing messages,
select the forum that you want to visit from the selection below.
"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
I've recently made 'first contact' with the CPE Bach Magnificat via a charity shop purchase of a Collegium Aureum/ Kurt Thomas LP with a good-looking line-up of soloists (Ameling, Lehane, Altmeyer and Herrman) from c1966. Does anyone know it? Have an opinion on how it shapes up against the KKC Argo disc?
Yes, I know it very well, it was my first experience of the work. Now available on a CD reissue as part of a very attractive looking 10 CD set of CPE from Deutsche Harmonia Mundi box and a steal on Amazon:
I have never heard the Argo disc. But I do have another recording of the CPE Bach Magnificat coupled with one of J C Bach recorded a few years ago by La Stagione under Michael Schneider on a German label. That is pretty good.
I've recently made 'first contact' with the CPE Bach Magnificat via a charity shop purchase of a Collegium Aureum/ Kurt Thomas LP with a good-looking line-up of soloists (Ameling, Lehane, Altmeyer and Herrman) from c1966. Does anyone know it?
Oh yes. Great fun. Haven't listened to it for many years. I must dig it out again.
Told you Andrew would pick this up
Your Tuneful Voice - Handel Oratorio Arias
Iestyn Davies (countertenor), The King’s Consort, Robert King (conductor)
Some more interesting CDs in the first half an hour.
9.05
PORTA, VIVALDI, PORPORA:, MARTINELLI, LATILLA, PEROTTI:, BERNASCONI: by Europa Galante and Fabio Biondi
The Proud Bassoon
FASCH:, COUPERIN:, Telemann and more by Peter Whelan (bassoon), Ensemble Marsyas
Your Tuneful Voice - Handel Oratorio Arias
GASPARINI, CALDARA, HANDEL, SCARLATTI (I guess it is the son) by Anna Dennis (soprano), Andrew Radley (countertenor), Sounds Baroque, Julian Perkins (harpsichord, organ and director)
PLUS
10.20
Christina Pluhar - The Complete Alpha Recordings
Various works with guest soloists
L’Arpeggiata, Christina Pluhar (harp, theorbo and director
Bal-kan - Honey and Blood
Hesperion XXI, Jordi Savall (conductor)
Various works
Julia LEZHNEVA - Philippe JAROUSSKY: Pergolèse, "Stabat Mater" Album available on: http://smarturl.it/jaroussky-stabat https://www.facebook.com/Philippe.Jaro...
Julia LEZHNEVA - Philippe JAROUSSKY: Pergolèse, "Stabat Mater" Album available on: http://smarturl.it/jaroussky-stabat https://www.facebook.com/Philippe.Jaro...
9.05am
Music of Henry Purcell
BLOW: Ode on the Death of Mr Henry Purcell
PURCELL: Dido and Aeneas; Hail! Bright Cecilia (Ode for St Cecilia's Day 1692), Z328; Welcome to all the pleasures (from Ode for St Cecilia's Day 1683), Z339; Come ye sons of art (Ode for Queen Mary's birthday, 1694), Z 323; My beloved spake, Z28; Rejoice in the Lord alway ('The Bell Anthem'), Z49
Various artists with The Deller Consort, Alfred Deller (conductor)
VANGUARD CLASSICS MC194 (6CD budget)
9.05 am
The Voice of the Turtle Dove
SHEPPARD: The Sixteen, Harry Christophers
Sheppard - Sacred choral music
Choir of St Mary’s Cathedral, Edinburgh, Duncan Ferguson
MONTEVERDI, MERULO, CIMA, MARINI, CASTELLO: Caroline Balding (violin), Roger Hamilton (harpsichord), Cambridge Taverner Choir, Owen Rees (conductor)
Madrigals of Love and Loss MONTEVERDI: Thomas Walker (tenor), James Gilchrist (tenor), Katherine Watson (soprano), Anna Dennis (soprano), Arcangelo, Jonathan Cohen (conductor)
Quite a feast of choral music on CD Review! (I've posted on The Choir about it.)
It was fascinating to hear two very different takes on Sheppard. The Sixteen gave it poise, polish and a tasteful expressiveness. Wonderful singing. St Mary's was more energetic, definitely faster..and I felt (especially in solo voice sections) a bit raw at times. But, hey, it's amazing that a cathedral choir with youngsters on the top line/s can cut it with the big boys. Can anyone remind me which Sheppard piece that Edinburgh sang had the reconstructed treble part? That was a local (Scottish) reconstruction, so another feather in their cap.
Quite a feast of choral music on CD Review! (I've posted on The Choir about it.)
It was fascinating to hear two very different takes on Sheppard. The Sixteen gave it poise, polish and a tasteful expressiveness. Wonderful singing. St Mary's was more energetic, definitely faster..and I felt (especially in solo voice sections) a bit raw at times. But, hey, it's amazing that a cathedral choir with youngsters on the top line/s can cut it with the big boys. Can anyone remind me which Sheppard piece that Edinburgh sang had the reconstructed treble part? That was a local (Scottish) reconstruction, so another feather in their cap.
Gaude virgo Christiphera. (I don't think Magnus Williamson is Scottish...)
Comment