Early Music on Record Review

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  • doversoul1
    Ex Member
    • Dec 2010
    • 7132

    29 June

    10.20am – New Releases
    Cozzolani: Vespro della Beata Vergine
    I Gemelli (ensemble)
    Emiliano Gonzalez Toro (tenor & director)

    10.45am – New Releases – Jeremy Summerly on Baroque Choral Releases
    ‘Sacred Music for Dresden Cathedral’ – Zelenka: Miserere in C & Confitebor tibi; Hasse: Miserere in C & Confitebor tibi
    Accademia Barocca Lucernensis (ensemble)
    Javier Ulises Illán (condcutor)

    ‘Messe du Roi Soleil’ – Sacred music by Philidor, Guilain, Lalande, Couperin & Lully
    Ensemble Marguerite Louise
    Gaétan Jarry (director and organist)

    ‘Histoire Sacrées’ – Sacred history works by Marc-Antoine Charpentier
    Ensemble Correspondances
    Sébastian Daucé (director)

    Handel: Brockes Passion, HWV 48
    NDR Choir
    Göttingen Festival Orchestra
    Laurence Cummings (director)

    Gottfried Heinrich Stölzel: Ein Lämmlein geht und trägt die Schuld (Passion oratorio, 1731)
    Purcell Choir
    Orfeo Orchestra
    György Vashegyi (conductor)
    Building a Library on Mozart’s piano quartets and new recordings of baroque music reviewed

    Comment

    • doversoul1
      Ex Member
      • Dec 2010
      • 7132

      I very much enjoyed the new release slot by Jeremy Summerly. The performers of the last item: Their performance of Vivaldi’s Gloria on Early Music Late awhile ago was amazing with an absolutely superb alto.

      Comment

      • Nick Armstrong
        Host
        • Nov 2010
        • 26606

        Originally posted by doversoul1 View Post
        I very much enjoyed the new release slot by Jeremy Summerly. The performers of the last item: Their performance of Vivaldi’s Gloria on Early Music Late awhile ago was amazing with an absolutely superb alto.

        Caught the second half, and looking forward to hearing the whole thing .... The last two items both sounded terrific.
        "...the isle is full of noises,
        Sounds and sweet airs, that give delight and hurt not.
        Sometimes a thousand twangling instruments
        Will hum about mine ears, and sometime voices..."

        Comment

        • MickyD
          Full Member
          • Nov 2010
          • 4894

          I am seriously thinking of getting that Dresden Cathedral disc, I was spellbound by the excerpts.

          Comment

          • doversoul1
            Ex Member
            • Dec 2010
            • 7132

            6 July

            9.00am
            ‘Inauguration Cantatas for Hamburg and Altona’ – Telemann: Kommt, Lasset uns Anbeten & Geschlagene Pauken, Auf!
            Barockwerk Hamburg (ensemble)
            Ira Hochman (conductor)

            10.20am – New Releases
            Biber: Fidicinium Sacro-Profanum
            Harmonie Universelle (ensemble)
            Florian Deuter (violin)
            Monica Waisman (directors)

            ‘Bach – The Lute Suites’ incl. BWV 995, BWV 997, BWV 1006 & BWV 996
            Franz Halasz (guitar)
            Building a Library on Stravinsky's The Rite of Spring, plus the latest recording news.

            Comment

            • vinteuil
              Full Member
              • Nov 2010
              • 13079

              .

              ... and to add to doversoul's list -

              10.20am - New Releases

              Salieri : Tarare
              Les Talens Lyriques (orchestra)
              Les Chantres du centre de musique baroque de Versailles (choir)
              Christophe Rousset (conductor)

              .

              Comment

              • Richard Tarleton

                Originally posted by doversoul1 View Post

                ‘Bach – The Lute Suites’ incl. BWV 995, BWV 997, BWV 1006 & BWV 996
                Franz Halasz (guitar)
                https://www.bbc.co.uk/programmes/m0006lxd
                BWV 1006 must be one of Bach's most recycled pieces - the Prelude more than the rest of it....to be pedantic the Lute Suite is 1006A...my first guitar version on record was John Williams (1964). For info, there's a BIS double CD of all these works on lute, played by Jakob Lindberg.

                I heard John Williams play BWV1006A in a recital at the Festival Hall in the mid 70s. He had people sitting behind him on stage. One had an alarm watch which went off just behind him during the Prelude (the concert was recorded for later broadcasting, they hadn't been able to get rid of the watch), JW didn't miss a beat.

                Comment

                • MickyD
                  Full Member
                  • Nov 2010
                  • 4894

                  Originally posted by vinteuil View Post
                  .

                  ... and to add to doversoul's list -

                  10.20am - New Releases

                  Salieri : Tarare
                  Les Talens Lyriques (orchestra)
                  Les Chantres du centre de musique baroque de Versailles (choir)
                  Christophe Rousset (conductor)

                  .
                  This has been getting rave reviews on France Musique for the last few weeks.

                  Comment

                  • Richard Tarleton

                    Originally posted by Richard Tarleton View Post
                    BWV 1006 must be one of Bach's most recycled pieces - the Prelude more than the rest of it....to be pedantic the Lute Suite is 1006A...my first guitar version on record was John Williams (1964). For info, there's a BIS double CD of all these works on lute, played by Jakob Lindberg.

                    I heard John Williams play BWV1006A in a recital at the Festival Hall in the mid 70s. He had people sitting behind him on stage. One had an alarm watch which went off just behind him during the Prelude (the concert was recorded for later broadcasting, they hadn't been able to get rid of the watch), JW didn't miss a beat.
                    If I heard him correctly Andrew was talking cobblers there - he said (I think) that lute players play the suite in F, and guitarists normally in D, but that Halasz plays it in the original key with the help of a capo in the first position. The first two statements were wrong - both guitarists and lutenists play the piece in the original E major. Reading Jakob Lindberg's CD notes (he plays a 13-course baroque lute) he explains how the original key is tricky but he gets round it with the help of a scordatura, for which he quotes a 17thC source. Bream, Williams and everyone else play the partita in E which is the most natural for the guitar (with top and bottom strings normally tuned to E). If you put a capo in the first position, as this bloke does, apparently, it would raise the key from E to F - ?????? - so that makes no sense either. (Lots of guitar music is in D, but for that it's normal to drop the bottom string to D...)

                    Comment

                    • doversoul1
                      Ex Member
                      • Dec 2010
                      • 7132

                      13 July

                      Handel’s Queens’ – Arias for Cuzzoni & Bordoni by Pollarolo, Handel, Hasse, Porpora, Orlandini, Vivaldi, Torri, Bononcini, Ariosti, Leo & Greene
                      Lucy Crowe (soprano / Cuzzoni)
                      Mary Bevan (soprano / Bordoni)
                      London Early Opera
                      Bridget Cunningham (director)

                      Mysliveček (1737-1781): Adamo ed Eva
                      Roberta Mameli (soprano)
                      Alice Rossi (soprano)
                      Luciana Mancini (mezzo-soprano)
                      Valerio Contaldo (tenor)
                      Il Gardellino (ensemble)
                      Peter van Heyghen (conductor)

                      The composer is not quite early music but the ensemble’s main repertoire seems to be.
                      New recordings with Andrew McGregor and Building a Library on Strauss's Four Last Songs

                      Comment

                      • doversoul1
                        Ex Member
                        • Dec 2010
                        • 7132

                        20 July

                        9.00am
                        ‘La Musique Secrète de Léonard de Vinci’ – Music by 15th- and 16th- century composers including Petrus, Cara, Desprez, Obrecht etc.
                        Doulce Mémoire (ensemble)
                        Denis Raisin Dadre (director)

                        Comment

                        • doversoul1
                          Ex Member
                          • Dec 2010
                          • 7132

                          27 July

                          9.00am
                          Handel: Concerti Grossi Op. 6 (1-6)
                          Akademie für Alte Musik Berlin
                          Bernhard Forck (conductor)

                          10.20am – New Releases
                          ‘Voglio Cantar’ – Baroque vocal music by Strozzi, Cavalli, Cesti, Marini & Merula
                          Emöke Baráth (soprano)
                          Il Pomo d’Oro
                          Francesco Corti (conductor)



                          Let’s hope Andrew McGregor will fit in a tribute to Anner Bylsma.

                          Comment

                          • doversoul1
                            Ex Member
                            • Dec 2010
                            • 7132

                            3 August
                            9.00am
                            La Gracieuse: Pièces de Viole by Marin Marais
                            Robert Smith (viola da gamba)
                            Israel Golani (viola da gamba)
                            Joshua Cheatham (viola da gamba)
                            Olivier Fortin (harpsichord)

                            10.20am – New Releases
                            Musique Pour Notre-Dame de Paris
                            Ensemble Organum
                            Marcel Peres (conductor)

                            Comment

                            • doversoul1
                              Ex Member
                              • Dec 2010
                              • 7132

                              9th August

                              9.00am
                              MA Charpentier: Les Plaisirs de Versailles & Les Arts Florissants
                              Boston Early Music Festival Chamber Ensemble,
                              Boston Early Music Festival Vocal Ensemble
                              Paul O'Dette (director)
                              Stephen Stubbs (director)

                              10.20am – New Releases
                              JS Bach: The Toccatas
                              Mahan Esfahani (harpsichord)

                              Ars longa: Old and new music for theorbo by Piccinini, Kasperger, Muhly etc
                              Elizabeth Kenny (theorbo)

                              11.25am – Proms BAL Recommendation
                              Bach: Orchestral Suites: Orchestral Suite No. 1 in C BWV1066
                              Reviewer: Mark Lowther, December 2014
                              Recommended recording:
                              Freiburg Baroque Orchestra

                              Comment

                              • doversoul1
                                Ex Member
                                • Dec 2010
                                • 7132

                                17 August

                                9.00
                                Folia: versions of the “Folia” by composers (including Vivaldi, Corbetta, Pandolfo and Falconieri) recorded over the years by artists belonging to the Note 1 group of labels
                                Masaaki Suzuki plays Bach Organ Works, Vol. 3
                                Masaaki Suzuki (Great Silbermann Organ of Freiberg Cathedral)

                                10.20am – New Releases
                                The 1690 Tuscan Stradivari: Violin Sonatas in 18th-Century Italy
                                Fabio Biondi (violin)
                                Antonio Fantinuoli (cello)
                                Giangiacomo Pinardi (theorbo)
                                Paola Poncet (harpsichord)

                                11.25am – Proms BAL Recommendation
                                Handel: Jephtha
                                Reviewer: Suzanne Aspden, January 2018
                                Recommended recording:
                                The Sixteen
                                Harry Christophers

                                Comment

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