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The soft bits were indeed lovely, but as ever (to my taste) JEG pushed the louder bits way too aggressively. Over the top, I think - or am I being too wishy-washy?
The soft bits were indeed lovely, but as ever (to my taste) JEG pushed the louder bits way too aggressively. Over the top, I think - or am I being too wishy-washy?
You're not; or else I am as well. Agree with jean too. Wasn't inclined to 'trust' JEG in this music, and am no more so now.
"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
Cosy, Mrs Dale's Diary JEG + Monteverdi team ironing out all the edges and sorrows in the Whyte Lamentations. Nice comforting sadness. Don;t let's frighten the horses. He's got a nerve.
What an appalling recording.
2. August
10.15am Caroline Gill joins Andrew live to discuss a 50-CD box set dedicated to L'Oiseau-Lyre's founding commitment - the music of the Baroque. It contains a range of acclaimed, pioneering recordings that span a fascinating range of repertoire and performing styles.
Thanks for the alert, ds - it looks interesting. A pity that Corelli is only represented on that box by one work, considering the influence he had on his contemporaries and pupils, and on the history of composing for the violin (his pupil Geminiani represented by six works by contrast).
A pity that Corelli is only represented on that box by one work, considering the influence he had on his contemporaries and pupils, and on the history of composing for the violin (his pupil Geminiani represented by six works by contrast).
That is an odd imbalance, isn't it? Has Hogwood only recorded this Corelli? Mind you, the wonderful 30 CD boxed set Music of the Enlightenment from Harmonia Mundi (about one fifth of the price of the L'Oiseau Lyre box) contains ne'ersomuch as a semiquaver of Corelli - nor does the SONY Vivarte box. Corelliphobia?
(And aren't Arne and Bach's sons "Early Classical" rather than "Baroque"?)
[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
Could be. I must say I thought R3's commemoration of the tercentenary of Corelli's death last year was half-hearted (Suffolkcoastal will have the actual stats of works broadcast but it can't have been very different from a normal year, i.e. few, and those the well-known ones). It's true that he was not the most prolific - his entire oeuvre fits on 10 CDs in the Brilliant Classics complete edition. And yet for me he is such an inventive and lyrical composer, every work that I know full of such grace and style - and surely the greatest influence on Handel.
... for me he is such an inventive and lyrical composer, every work that I know full of such grace and style - and surely the greatest influence on Handel.
I agree totally.
[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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