Early Music on Record Review

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  • jean
    Late member
    • Nov 2010
    • 7100

    Whose are the Lamentations at the start? They sound like White, but they're not the ones I know!

    Not sure about the sopranos.

    Comment

    • ostuni
      Full Member
      • Nov 2010
      • 550

      The soft bits were indeed lovely, but as ever (to my taste) JEG pushed the louder bits way too aggressively. Over the top, I think - or am I being too wishy-washy?

      Comment

      • jean
        Late member
        • Nov 2010
        • 7100

        I didn't care for the solo soprano(s).

        It was White - he wrote two settings, I see:

        Comment

        • Eine Alpensinfonie
          Host
          • Nov 2010
          • 20570

          Originally posted by doversoul View Post
          11.50am
          Disk of the Week
          Are we in America?

          Comment

          • doversoul1
            Ex Member
            • Dec 2010
            • 7132

            Originally posted by Eine Alpensinfonie View Post
            Are we in America?
            Blame my spell check

            Comment

            • Nick Armstrong
              Host
              • Nov 2010
              • 26527

              Originally posted by ostuni View Post
              The soft bits were indeed lovely, but as ever (to my taste) JEG pushed the louder bits way too aggressively. Over the top, I think - or am I being too wishy-washy?
              You're not; or else I am as well. Agree with jean too. Wasn't inclined to 'trust' JEG in this music, and am no more so now.
              "...the isle is full of noises,
              Sounds and sweet airs, that give delight and hurt not.
              Sometimes a thousand twangling instruments
              Will hum about mine ears, and sometime voices..."

              Comment

              • DracoM
                Host
                • Mar 2007
                • 12965

                Cosy, Mrs Dale's Diary JEG + Monteverdi team ironing out all the edges and sorrows in the Whyte Lamentations. Nice comforting sadness. Don;t let's frighten the horses. He's got a nerve.
                What an appalling recording.

                Comment

                • doversoul1
                  Ex Member
                  • Dec 2010
                  • 7132

                  So, maybe BBC Singers are as good as Monteverdi Choir?

                  I can't say I was too impressed. The singing sounded drive-less. and the soprano didn't sound quite right (by my taste, that is) for this music.

                  Comment

                  • doversoul1
                    Ex Member
                    • Dec 2010
                    • 7132

                    18 July: French Baroque

                    9.05am
                    REBEL: Les Elemens (Suite)
                    RAMEAU: Castor et Pollux (Suite)
                    L’Orfeo Barockorchester, Michi Gaigg (conductor)

                    Le Grand Theatre de l’amour:
                    Sabine Devieilhe (soprano), Les Ambassadeurs, Alexis Kossenko (director)

                    A French Baroque Diva
                    Carolyn Sampson (soprano), Ex Cathedra, Jeffrey Skidmore (conductor)

                    RAMEAU: Les Surprises de l’Amour
                    Les Nouveaux Caracteres, Sebastien d’Herin (harpsichord/director)

                    With Andrew McGregor. Includes Rameau: opera arias and the Proms Composer: Moeran.

                    Comment

                    • doversoul1
                      Ex Member
                      • Dec 2010
                      • 7132

                      L'Oiseau-Lyre 50-CD box set

                      2. August
                      10.15am
                      Caroline Gill joins Andrew live to discuss a 50-CD box set dedicated to L'Oiseau-Lyre's founding commitment - the music of the Baroque. It contains a range of acclaimed, pioneering recordings that span a fascinating range of repertoire and performing styles.




                      [ed.] This CD Review web page has the link to the box set in DG website. Does it not count as an advertisement?
                      Last edited by doversoul1; 02-08-14, 07:55.

                      Comment

                      • aeolium
                        Full Member
                        • Nov 2010
                        • 3992

                        Thanks for the alert, ds - it looks interesting. A pity that Corelli is only represented on that box by one work, considering the influence he had on his contemporaries and pupils, and on the history of composing for the violin (his pupil Geminiani represented by six works by contrast).

                        Comment

                        • ferneyhoughgeliebte
                          Gone fishin'
                          • Sep 2011
                          • 30163

                          Originally posted by aeolium View Post
                          A pity that Corelli is only represented on that box by one work, considering the influence he had on his contemporaries and pupils, and on the history of composing for the violin (his pupil Geminiani represented by six works by contrast).
                          That is an odd imbalance, isn't it? Has Hogwood only recorded this Corelli? Mind you, the wonderful 30 CD boxed set Music of the Enlightenment from Harmonia Mundi (about one fifth of the price of the L'Oiseau Lyre box) contains ne'ersomuch as a semiquaver of Corelli - nor does the SONY Vivarte box. Corelliphobia?


                          (And aren't Arne and Bach's sons "Early Classical" rather than "Baroque"?)
                          [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

                          Comment

                          • aeolium
                            Full Member
                            • Nov 2010
                            • 3992

                            Originally posted by ferneyhoughgeliebte View Post
                            Corelliphobia?
                            Could be. I must say I thought R3's commemoration of the tercentenary of Corelli's death last year was half-hearted (Suffolkcoastal will have the actual stats of works broadcast but it can't have been very different from a normal year, i.e. few, and those the well-known ones). It's true that he was not the most prolific - his entire oeuvre fits on 10 CDs in the Brilliant Classics complete edition. And yet for me he is such an inventive and lyrical composer, every work that I know full of such grace and style - and surely the greatest influence on Handel.

                            Comment

                            • ferneyhoughgeliebte
                              Gone fishin'
                              • Sep 2011
                              • 30163

                              Originally posted by aeolium View Post
                              ... for me he is such an inventive and lyrical composer, every work that I know full of such grace and style - and surely the greatest influence on Handel.
                              I agree totally.
                              [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

                              Comment

                              • doversoul1
                                Ex Member
                                • Dec 2010
                                • 7132

                                Monteverdi Vespers:23August

                                11.15am
                                Monteverdi Vespers (extract)
                                Concerto Italiano
                                Rinaldo Alessandrini

                                Comment

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