w/b Monday 26 October 2020. Delightful programmes well worth a (re)listen, making a refreshing change from the current heavy dose of Beethoven. Desmarets' choral works, early opera and innovative work for double choir in particular, are quite a find. Thought the head up might show up better here.
COTW Desmarets and Boismortier
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Originally posted by Constantbee View Postw/b Monday 26 October 2020. Delightful programmes well worth a (re)listen, making a refreshing change from the current heavy dose of Beethoven. Desmarets' choral works, early opera and innovative work for double choir in particular, are quite a find. Thought the head up might show up better here.
Agreed. Loved today’s programme, the Desmarets Mass extract a particular discovery..."...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by MickyD View PostBoismortier has always been a favourite of mine. His "Daphnis et Chloe" is to be found in a lovely recording by Hervé Niquet, and I see that is due for transmission at the end of this week.
I've been watching the progress of the Early Opera Company lately. They seem to have produced a lot of Handel recordings on CD and Purcell's Dido, of course. Well, that's great, but maybe one day they'll look at some of these lesser known baroque operas. Are they more popular with French audiences, I wonder?And the tune ends too soon for us all
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Originally posted by Constantbee View PostThanks, MD. When you say 'due for transmission' where will that be, please? Just checked on Youtube to see what Boismortier recordings might be available and Daphnis et Chloe is on there in full, CD1 and CD2 on separate recordings, loaded by the same person.
I've been watching the progress of the Early Opera Company lately. They seem to have produced a lot of Handel recordings on CD and Purcell's Dido, of course. Well, that's great, but maybe one day they'll look at some of these lesser known baroque operas. Are they more popular with French audiences, I wonder?
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Originally posted by Bryn View PostI think the reference was to the extracts in today's CotW.
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