Hannah French explores Francois Couperin's extraordinarily dark and powerful vocal music for Holy Week - his settings of the Lamentations of Jeremiah - the Lecons de Tenebres.
Couperin's Leçons de Tenebres: EMS 28 October
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This was very well presented by someone who was clearly excited by this extraordinary music, and who liked all the different performances in the extracts.
I heard this live in Kings Place a few years ago, with Claire Booth. It was, as the Guardian critic said at the time, a world class performance. They had video projections between the sections, each consisting of a still image of the performers at the end of that section. I expected it to be a bit of a gimmick, but in fact it provided a focus for emotional involvement between one section and the next, rather than just an empty gap.
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Originally posted by Beresford View PostThis was very well presented by someone who was clearly excited by this extraordinary music, and who liked all the different performances in the extracts.
I heard this live in Kings Place a few years ago, with Claire Booth. It was, as the Guardian critic said at the time, a world class performance. They had video projections between the sections, each consisting of a still image of the performers at the end of that section. I expected it to be a bit of a gimmick, but in fact it provided a focus for emotional involvement between one section and the next, rather than just an empty gap.
OG
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Originally posted by BBMmk2 View PostMust get to know these, after the box set I’m going through at the moment!
Donald Macleod surveys musical portraits of aristocracy and musicians by Francois Couperin.
...and Building a Library on 10th November
09.30
350 years to the day since François Couperin's death, Simon Heighes surveys the Leçons de Ténèbres and makes a recommendation.
Last edited by ferneyhoughgeliebte; 30-10-18, 20:57.
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