Great news today for the many readers who've contacted me over the past eighteen months enquiring after Naïve Classique's pioneering Vivaldi Edition, which has been on sabbatical for a couple of years but returns in style here with a scintillating account of Dorilla in Tempe. (Interested parties can read my interview with the project’s artistic director Susan Orlando, who recently spoke to me about the evolution of the series itself and the compositional history of Dorilla).
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Long may it last.
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Long may it last.
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