Antonio Lucio Vivaldi
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Originally posted by vinteuil View Post
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Originally posted by richardfinegold View PostAnd are we to assume that the teenaged girls that played most of his Compositions had the same technical facility? And if they did, I wouldn't care anyway. Let the music breathe a little.
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Originally posted by MickyD View PostThanks for the Uffenbach quote, Richard - I hadn't seen that one before, fascinating.
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Originally posted by Richard Barrett View PostIndeed - but how influential it's been!
RF's comment and yours reminded me of a contemporary account from the German merchant Uffenbach, who heard Vivaldi play in 1715 and described his playing thus: "Towards the end [of an opera performance] Vivaldi played a solo accompaniment - splendid - to which he appended a cadenza which really frightened me, for such playing has never been nor can be: he brought his fingers up to only a straw's distance from the bridge, leaving no room for the bow - and that on all four strings with imitations and incredible speed. With all this he astounded everyone, but I cannot say it pleased me, for it was not so pleasant to listen to as it was skilfully executed." (my emphasis)
Edit: I've just seen post #19 - working my way up the thread, hadn't got to it when I first posted! I obviously don't have that book so I must have read it on Wiki or perhaps a CD booklet, I still am unsure and it's bugging me
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Amazingly, I had no recording of the Stagioni until last week - when i picked up Bernstein's politically incorrect recording for a bargain 75p!
No doubt this is NOT the way Vivaldi should be done and Bernstein was certainly no baroque specialist but I love the way he tears through the piece at lightning speed, never pausing to savour things. John Corigliano is the splendid soloist and I imagine the NYPO of the time, all beer guts and fags stuck in their mouths, shrugging as they turn the pages of their scores.
Great tunes: maybe one day I'll look for deeper meaning in this music, but for now it's great stuff for the car.
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Originally posted by Conchis View PostI imagine the NYPO of the time, all beer guts and fags stuck in their mouths, shrugging as they turn the pages of their scores.
Here are two CDs of concerti per molti strumenti which are the best I've heard of this group of works on the strength of a few listens to them on Youtube, and damn it I don't have the discs (yet) https://www.youtube.com/watch?v=j4_8D-nZTkk
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Originally posted by Richard Barrett View PostA beautiful image to be sure.
Here are two CDs of concerti per molti strumenti which are the best I've heard of this group of works on the strength of a few listens to them on Youtube, and damn it I don't have the discs (yet) https://www.youtube.com/watch?v=j4_8D-nZTkk
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Originally posted by Richard Barrett View PostA beautiful image to be sure.
Here are two CDs of concerti per molti strumenti which are the best I've heard of this group of works on the strength of a few listens to them on Youtube, and damn it I don't have the discs (yet) https://www.youtube.com/watch?v=j4_8D-nZTkk
Edit: I've just seen Bryn's post #23. I'm not with it today, listening to Roger Sessions chamber music way too late last night!
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Originally posted by Bryn View PostHave been dong so since you first posted the YouTube link. I will be downloading from QOBUZ later.
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I have lost touch with Vivaldi's music, as I have quite a bit of late concentrated more on 20th century works, and the kind of music that The sixteen do.
However, I do ofcourse rather like Vivaldi's concerto for two trumpets. I also have Trevor Pinnock's box set of recordings that he has made. I also have the complete sacred music of Vivaldi, on Hyperion. I think a revisit of this period is necessary.Don’t cry for me
I go where music was born
J S Bach 1685-1750
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Originally posted by Brassbandmaestro View PostI have lost touch with Vivaldi's music, as I have quite a bit of late concentrated more on 20th century works, and the kind of music that The sixteen do.
However, I do ofcourse rather like Vivaldi's concerto for two trumpets. I also have Trevor Pinnock's box set of recordings that he has made. I also have the complete sacred music of Vivaldi, on Hyperion. I think a revisit of this period is necessary.
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