I was excited to see this evening's In Concert, " Monteverdi's Vespers of the Blessed Virgin Mary" - then, I made the mistake of reading Gramophone's review of what looks like a CD release. Might give it a go and see what happens...
More Bestion / La Tempête here https://www.youtube.com/watch?v=aSV0eNXkohs
Monteverdi's Vespers of the Blessed Virgin Mary
Radio 3 in Concert
Monteverdi's Vespers from the Utrecht Early Music Festival.
Simon-Pierre Bestion directs a performance of Monteverdi's Vespro della Beata Vergine (Vespers for the Blessed Virgin) in an imaginative recreation of the way this great landmark of music history might have been heard at the Basilica of Saint Mark in Venice. Alongside the great choral psalm settings by Monteverdi himself, Simon-Pierre Bestion includes the Gregorian chants on which they are based. But he goes even further, by including songs from a manuscript in the Carpentras library. These anonymous songs reflect the centuries-long oral traditions found throughout the Mediterranean basin, their harmonies and inflections evoking the folk traditions of Italy, Sardinia and Corsica. These songs, the conductor suggests, would have found their way into any performance in early Baroque Venice, that great centre of economic and cultural exchange.
Radio 3 in Concert
Monteverdi's Vespers from the Utrecht Early Music Festival.
Simon-Pierre Bestion directs a performance of Monteverdi's Vespro della Beata Vergine (Vespers for the Blessed Virgin) in an imaginative recreation of the way this great landmark of music history might have been heard at the Basilica of Saint Mark in Venice. Alongside the great choral psalm settings by Monteverdi himself, Simon-Pierre Bestion includes the Gregorian chants on which they are based. But he goes even further, by including songs from a manuscript in the Carpentras library. These anonymous songs reflect the centuries-long oral traditions found throughout the Mediterranean basin, their harmonies and inflections evoking the folk traditions of Italy, Sardinia and Corsica. These songs, the conductor suggests, would have found their way into any performance in early Baroque Venice, that great centre of economic and cultural exchange.
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