“East is East and West is West, and never the twain shall meet." So wrote Rudyard Kipling, but in the world of early music at least, the artistry of the Middle East exerted a huge influence on the instruments and compositions of Europe. From Greek music theory to wandering minstrels, and poetic song-forms to filigree melodies, Lucie Skeaping surveys the musical legacy of this lively contact, visiting medieval dance-music, Sephardic song and plainchant along the way. (Repeat)
Artistry of the Middle East: the musical legacy EMS 25 January
Collapse
X
-
I’ve hunted down the webpage of the original broadcast but there is no playlist. What’s the point? Have they (whoever the they is) never heard of an archive?
Well, that’s odd. The date 29 Oct 2007 is now today’s date. Nevertheless, if you click Previous and Nest, you’ll get to the 2007 programmes. Absurd
Comment
-
-
Originally posted by aeolium View PostYes, it should be fascinating. What are the main instruments from the Middle East that influenced the development of instruments in the West? Perhaps the oud (lute), santoor (dulcimer), the tanboor/setar? I hope we get to hear some of these older instruments in Middle Eastern music.
Influenced from the East on western musical forms and their evolution is of even greater interest, to me.
Comment
-
-
Originally posted by MrGongGong View Post'How anyone can expect to understand the development of Western Classical music without knowing what happened in 8th Century Mongolia is a mystery to me' : Frank Denyer (quoted from remembering a conversation so not exact words)[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
Comment
-
-
Originally posted by ferneyhoughgeliebte View PostNever mind that modern stuff - considering that the plainchant that is the foundation of the Western Classical traditions has its roots in the Music of the earliest Christian (ie Jewish) sects in Palestine, all Western Classical Music originates in the Middle East. (I always thought Kipling was a twerp - lousy, over-sugared cakes, too.)
There's a climb called Kipling Groove, on Gimmer Crag in Great Langdale. It's called that because it's 'ruddy 'ard'
Comment
-
-
Originally posted by MrGongGong View PostOf course our string instruments came from the horse cultures of Mongolia and neighbouring countries.
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.
Comment
-
-
Never mind Kipling, it was a fascinating programme. I can’t remember when I was last glued to the radio (the PC, as I listened to it on iPlayer) like this. The selection of music was wide and well researched (so it sounded to me). The talk about the 15th century Ottoman music treaties housed in Manchester University’s library (?) was most interesting and very well presented, yet there is no information about the speaker or the subject on the website. Still, this is not the fault of the programme which was excellent.
This programme was mainly about vocal music. I would love to hear about instrumental music produced by the same team.
Comment
-
-
Originally posted by doversoul View PostNever mind Kipling, it was a fascinating programme. I can’t remember when I was last glued to the radio (the PC, as I listened to it on iPlayer) like this. The selection of music was wide and well researched (so it sounded to me). The talk about the 15th century Ottoman music treaties housed in Manchester University’s library (?) was most interesting and very well presented, yet there is no information about the speaker or the subject on the website. Still, this is not the fault of the programme which was excellent.
This programme was mainly about vocal music. I would love to hear about instrumental music produced by the same team.
Comment
-
-
Last edited by ardcarp; 25-01-15, 23:10.
Comment
-
-
Originally posted by Serial_Apologist View PostInstrumental music "per se" doesn't really come into the "western canon" until the 16th century.
Comment
-
Comment