EMS on the bassoon and its antecedents 23/8/14

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  • aeolium
    Full Member
    • Nov 2010
    • 3992

    EMS on the bassoon and its antecedents 23/8/14

    The forthcoming programme is on one of my favourite instruments, the bassoon, and its antecedents:

    Lucie Skeaping explores how the bassoon developed from early curtals, dulcians and bajons.
  • pastoralguy
    Full Member
    • Nov 2010
    • 7816

    #2
    Many thanks for that. Mrs. PG is a big bassoon fan!

    Last Christmas I bought her a cd featuring two contra bassoons. Deep, sustained booming sounds were to be heard from chez. PG on Boxing Day.

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    • salymap
      Late member
      • Nov 2010
      • 5969

      #3
      Originally posted by pastoralguy View Post
      Many thanks for that. Mrs. PG is a big bassoon fan!

      Last Christmas I bought her a cd featuring two contra bassoons. Deep, sustained booming sounds were to be heard from chez. PG on Boxing Day.
      Whatis themost difficult instrument to play. Perhaps a new thread ??
      Last edited by salymap; 20-08-14, 11:07. Reason: spelling mistake

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      • doversoul1
        Ex Member
        • Dec 2010
        • 7132

        #4
        One of the advantages of repeat programmes is that we have a full playlist prior to the broadcast. This one looks great.

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        • MickyD
          Full Member
          • Nov 2010
          • 4835

          #5
          Rameau wrote wonderful parts for the bassoon in his orchestral dances for the operas. Another favourite disc of mine is this:

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          • aeolium
            Full Member
            • Nov 2010
            • 3992

            #6
            Originally posted by MickyD View Post
            Rameau wrote wonderful parts for the bassoon in his orchestral dances for the operas. Another favourite disc of mine is this:

            http://www.amazon.co.uk/Corrette-Boi...de+la+solitude
            And Handel's writing for the bassoon was so eloquent in all kinds of music, but especially in accompaniments to opera arias, such as Scherza infida and Se pietá di me non senti.

            I mainly know of Corrette's work through some of his concertos, but must get to know some of his compositions in other genres.

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            • CallMePaul
              Full Member
              • Jan 2014
              • 805

              #7
              Pity a period instrument performance hasn't been chosen for the Vivaldi - there are now several good ones to choose from. Perhaps taking it up to a HIP of the Mozart or Weber concerto would have completed the story?

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              • doversoul1
                Ex Member
                • Dec 2010
                • 7132

                #8
                Originally posted by aeolium View Post
                And Handel's writing for the bassoon was so eloquent in all kinds of music, but especially in accompaniments to opera arias, such as Scherza infida and Se pietá di me non senti.
                …and Venti Turbini.

                Paul
                Pity a period instrument performance hasn't been chosen for the Vivaldi - there are now several good ones to choose from. Perhaps taking it up to a HIP of the Mozart or Weber concerto would have completed the story?
                Just for fun, I searched Vivaldi Bassoon concerto on Presto Classical site. There were 92 hits. The EMS production team may have resorted to doing eeny, meeny, miny, moe

                [ed.] Talking about Vivaldi, Presto Classical is offering 20% off discs featuring Rinaldo Alessandrini and Concerto Italiano
                Last edited by doversoul1; 20-08-14, 18:42.

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                • MickyD
                  Full Member
                  • Nov 2010
                  • 4835

                  #9
                  I would heartily recommend the Vivaldi bassoon concertos disc from Danny Bond/AAM/Hogwood, recorded back in the 90s. It is fetching a ridiculous price on Amazon at the moment, but there are one or two second hand copies to be had.



                  There are also some wonderful newer performances on the Naive label in their Vivaldi Edition.

                  Comment

                  • pastoralguy
                    Full Member
                    • Nov 2010
                    • 7816

                    #10
                    Originally posted by MickyD View Post
                    I would heartily recommend the Vivaldi bassoon concertos disc from Danny Bond/AAM/Hogwood, recorded back in the 90s. It is fetching a ridiculous price on Amazon at the moment, but there are one or two second hand copies to be had.



                    There are also some wonderful newer performances on the Naive label in their Vivaldi Edition.

                    Comment

                    • Hornspieler
                      Late Member
                      • Sep 2012
                      • 1847

                      #11
                      Originally posted by salymap View Post
                      What is the most difficult instrument to play. Perhaps a new thread ??
                      All instruments are written to the limit of their capabilities (and frequently beyond by some composers), so there is no sensible or unbiased answer to that question.

                      If I had to sightread music at the speed required of a flautist, I would say "the orchestral horn".

                      If a trumpet player had to play practically all through a concert, like a violinist, he would say "a trumpet".

                      There's just no answer Sally. (Try getting your Double Bass across London at 8.30 in the morning by bus, tube or taxi)

                      Anyway, it's so nice to see you posting on the boards again.

                      HS

                      Comment

                      • salymap
                        Late member
                        • Nov 2010
                        • 5969

                        #12
                        Originally posted by Hornspieler View Post
                        All instruments are written to the limit of their capabilities (and frequently beyond by some composers), so there is no sensible or unbiased answer to that question.

                        If I had to sightread music at the speed required of a flautist, I would say "the orchestral horn".

                        If a trumpet player had to play practically all through a concert, like a violinist, he would say "a trumpet".

                        There's just no answer Sally. (Try getting your Double Bass across London at 8.30 in the morning by bus, tube or taxi)

                        Anyway, it's so nice to see you posting on the boards again.

                        HS
                        I knew one double bass player, Wiilum de Mont, 1st bass player in the LSO years ago,who always came to rehearsal with his bass in the back of his Jeep.

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                        • doversoul1
                          Ex Member
                          • Dec 2010
                          • 7132

                          #13
                          Why is the programme not available on iPlayer?

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                          • pastoralguy
                            Full Member
                            • Nov 2010
                            • 7816

                            #14
                            Very interesting programme, we thought. Great instrument, the bassoon!

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                            • doversoul1
                              Ex Member
                              • Dec 2010
                              • 7132

                              #15
                              Still ‘not currently available on BBC iPlayer Radio’.

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