Andreas Staier at Wigmore

Collapse
X
 
  • Filter
  • Time
  • Show
Clear All
new posts
  • french frank
    Administrator/Moderator
    • Feb 2007
    • 29917

    Andreas Staier at Wigmore

    Lunchtime Concert, Monday 26 May, 1pm:

    Andreas Staier (harpsichord):

    D'Anglebert: Prélude and Chaconne Rondeau (from Première Suite in G)
    J.S. Bach: Contrapunctus V & VI (The Art of Fugue)
    F. Couperin: Septième Prélude in B flat (from L'Art de toucher le clavecin)
    F. Couperin: Sixième Ordre (from Pièces de clavecin, Book 2)
    J.S. Bach: Partita No 4 in D, BWV828
    It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
  • Lento
    Full Member
    • Jan 2014
    • 646

    #2
    I hope he's less fat-fingered than Ronald Brautigam was last Monday.

    Comment

    • doversoul1
      Ex Member
      • Dec 2010
      • 7132

      #3
      1.00 pm today.

      Comment

      • Tony Halstead
        Full Member
        • Nov 2010
        • 1717

        #4
        Originally posted by Lento View Post
        I hope he's less fat-fingered than Ronald Brautigam was last Monday.
        Why?
        Was it on TV?
        If it was only on the wireless how could you see his fingers? (unless you were actually there)

        Comment

        • ardcarp
          Late member
          • Nov 2010
          • 11102

          #5
          Tony, forgive me if I'm missing some heavy irony here, but 'fat-fingered' just means playing some wrong notes or making some slips.

          Comment

          • Tony Halstead
            Full Member
            • Nov 2010
            • 1717

            #6
            Originally posted by ardcarp View Post
            Tony, forgive me if I'm missing some heavy irony here, but 'fat-fingered' just means playing some wrong notes or making some slips.
            Doh...sorry...
            I find it hard to believe, as I have conducted many Mozart and Haydn concertos with Brautigam over the years and have always found him to be almost unbelievably accurate ( and musically intuitive of course)

            Comment

            • ardcarp
              Late member
              • Nov 2010
              • 11102

              #7
              Tony, what instrument/s was he using when playing for you?

              Comment

              • Tony Halstead
                Full Member
                • Nov 2010
                • 1717

                #8
                Originally posted by ardcarp View Post
                Tony, what instrument/s was he using when playing for you?
                Usually a Paul McNulty copy of an Anton Walter fortepiano.

                Comment

                • Lento
                  Full Member
                  • Jan 2014
                  • 646

                  #9
                  I just thought I detected rather a lot of slips, which were beginning to become a distraction.

                  Comment

                  • MickyD
                    Full Member
                    • Nov 2010
                    • 4732

                    #10
                    Originally posted by Tony View Post
                    Usually a Paul McNulty copy of an Anton Walter fortepiano.
                    ....and I cherish the complete Mozart and Haydn sets he has done for BIS. He seems to get everything just right and the BIS recordings are superb. I can't wait for the Beethoven cycle to be boxed next.

                    Comment

                    • amateur51

                      #11
                      Originally posted by MickyD View Post
                      ....and I cherish the complete Mozart and Haydn sets he has done for BIS. He seems to get everything just right and the BIS recordings are superb. I can't wait for the Beethoven cycle to be boxed next.
                      Same here MickyD

                      Comment

                      Working...
                      X