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I haven't listened this afternoon, but even without that I would recommend spending some time to listen to Bertali, because -though in a relatively inert surroundings at that time and hence not really influential- he is an interesting composer.
Unfortunately the best part of his output has gone lost.
He was very able able to use all the musical sources available to him to great effect, replacing recitatives as in Monteverdi's operas by mere ariosos, using pianossimos at unexpected places, having arias without long brilliantly to be song cadenzas.
A composer in the transition from high and late renaissance (especially his masses) straight to early baroque (his operas and here especially the chamber music, most for strings with basso continuo, including a solo-violin sonata and -wait for it- a guitar sonata)
I haven't listened this afternoon, but even without that I would recommend spending some time to listen to Bertali, because -though in a relatively inert surroundings at that time and hence not really influential- he is an interesting composer.
Unfortunately the best part of his output has gone lost.
He was very able able to use all the musical sources available to him to great effect, replacing recitatives as in Monteverdi's operas by mere ariosos, using pianossimos at unexpected places, having arias without long brilliantly to be song cadenzas.
A composer in the transition from high and late renaissance (especially his masses) straight to early baroque (his operas and here especially the chamber music, most for strings with basso continuo, including a solo-violin sonata and -wait for it- a guitar sonata)
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