Originally posted by Caliban
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'David Starkey's Music and Monarchy'
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Originally posted by Pabmusic View PostAnd I suppose that's how I pronounce it, too. But how people would have pronounced kit in the 17th century...?"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by Pabmusic View PostOh no! I was referring to the pronunciation of 'kit' (pay attention, please!).
Or perhaps not ..."...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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David Starkey's Music and Monarchs
I missed this the first time around, and have just watched the first episode on i-player. Great to see The Eton Choirbook being used ...as I have been lucky enough to see it... in the flesh. Of the choral items, I thought David Skinner's were really excellent. (I noticed our ubiquitous Chris Watson among them.)
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Originally posted by ardcarp View PostI missed this the first time around, and have just watched the first episode on i-player. Great to see The Eton Choirbook being used ...as I have been lucky enough to see it... in the flesh. Of the choral items, I thought David Skinner's were really excellent. (I noticed our ubiquitous Chris Watson among them.)
Excellent - I found it educational and enjoyable.
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Originally posted by Brassbandmaestro View PostWhat channel?
[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by ferneyhoughgeliebte View PostBBC4 telly, Bbm:
http://www.bbc.co.uk/iplayer/episode...-2-revolutionsDon’t cry for me
I go where music was born
J S Bach 1685-1750
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Having given the to this series, I am just wondering...having watched episode 3.....how sound the scholarship is? Starkey seems to have taken Charles Burney's view that everything in 18th Century England apart from Handel was effete and mediocre.. Westminster Abbey sang what was indeed a very feeble piece by Croft 'unpublished and receiving a rare performance'. However Croft wrote The Lord is a Sun and a Shield for the coronation of George I. It is scored for full forces including trumpets and drums. Handel was ever keen to copy this English ceremonial style, and his models were inevitably the 'public occasion' works of Purcell, Blow, Croft and other Chapel Royal musicians. The irony is that a brief extract from Croft's The Lord is a Sun was played in the background of the programme, but with no context or attribution. A casual listener might have supposed it to be by Handel!
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