Remarkable colour footage of London in the 1920s....
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Originally posted by aka Calum Da Jazbo View Post
High time I made a visit to the London Transport Museum.
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"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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there seems to be a slightly longer version of this on youtube, but with no added music
I suppose that is Mr Friese-Greene himself at the end
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Originally posted by mercia View Postthere seems to be a slightly longer version of this on youtube, but with no added music
I suppose that is Mr Friese-Greene himself at the end
http://www.youtube.com/watch?v=TwahIQz0o-M
thanks for that, youtube is better to use too, plus there are the interesting suggestions for similar links....
The colorised film makes the sense of immediacy all the greater - the shot of the southern end of London Bridge is especially so, as that very modern-looking office building on the right is still there, I think, as are the shots of Hyde Park - spooky to see the cabs entering the park through the very narrow gate (now closed to traffic) from through which I shall cycle in the other direction shortly... The close-ups of people at Marble Arch and the Lancaster Gate fountains (very much my 'manor') are also haunting...
"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by Caliban View PostTinted, rather than true colour, but nonetheless haunting stuff...
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Originally posted by David-G View PostIt does seem in fact to have been a true colour process, showing alternate black-and-white frames through red and green filters. The same alternating filters would presumably have been used during filming.
"Claude, born Claude Harrison Greene was the son of William Friese-Greene, a pioneer in early cinematography. William began the development of an additive colour film process called Biocolour. This process produced the illusion of true colour by exposing each alternate frame of ordinary black-and-white film stock through a two different coloured filters. Each alternate frame of the monochrome print was then stained red or green. Although the projection of Biocolour prints did provide a tolerable illusion of true colour, it suffered from noticeable flickering and red-and-green fringing when the subject was in rapid motion. In an attempt to overcome the colour fringing problem, a faster-than-usual frame rate was used.""...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by mercia View PostI wonder how quickly motor vehicles took over from horsedrawn vehicles, and did the men who drove the horsedrawn buses and cabs become the motorbus and motorcab drivers [if they were still of working age at the time of the changeover].Pacta sunt servanda !!!
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Originally posted by mercia View Postthere seems to be a slightly longer version of this on youtube, but with no added music
I suppose that is Mr Friese-Greene himself at the end
http://www.youtube.com/watch?v=TwahIQz0o-M
The two most immediate changes occurring to me in the footage are, firstly, how much more "in-scale" life in the metropolis (as doubtless everywhere) appears: no skyscrapers to feel dwarfed by, the size of motor vehicles; secondly, how British crowds could be expected to react today to a cine camera passing through their midst - probably waving, a lot of leering, two-fingered gestures, in contrast with the circumspection universally depicted here, of which our elders' expression, "We don't speak of such things, dear", used just about to sum it up.
I always get a lump in the throat watching footage of this kind - dunno quite why.
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Originally posted by Serial_Apologist View PostThanks ever so much for posting this link, mercia.
The two most immediate changes occurring to me in the footage are, firstly, how much more "in-scale" life in the metropolis (as doubtless everywhere) appears: no skyscrapers to feel dwarfed by, the size of motor vehicles; secondly, how British crowds could be expected to react today to a cine camera passing through their midst - probably waving, a lot of leering, two-fingered gestures, in contrast with the circumspection universally depicted here, of which our elders' expression, "We don't speak of such things, dear", used just about to sum it up.
I always get a lump in the throat watching footage of this kind - dunno quite why.
Love the captions - "Mutton for dinner ... Another day gone west ... monument to our glorious dead ... very corner of the Empire".
Plenty of other distractions alongside that vid. I liked this one, London 10 quirky places:
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Originally posted by aka Calum Da Jazbo View Post
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