Andrew Graham-Dixon is on fine form in Part 2 of this series ... caught the last part where he discusses the townscape of Delft by Vermeer and quite lost interest in the footie ...
High Art Low Countries
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Originally posted by aka Calum Da Jazbo View PostAndrew Graham-Dixon is on fine form in Part 2 of this series ... caught the last part where he discusses the townscape of Delft by Vermeer and quite lost interest in the footie ...
As I mentioned on the AA thread, I feel he strikes the right balance between erudition and accessibility in his presentations and the art itself is just...well...awe-inspiring, in particular, for me, the late Rembrandt self-portraits and Vermeer.
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Anna
Don't understand footie. I have a book, AJAX The Dutch, The War, Europe during seccnd WW2, it's by Simon Kuper.
Not read it it, anyone want it?
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Originally posted by aka Calum Da Jazbo View PostAndrew Graham-Dixon is on fine form ...
Good to see this as a separate thread - there has been some mention of the programme in the AA zone -
Originally posted by vinteuil View Post... loved it. He was good on the protestant iconoclasm behind the marvellous Saenredams, he was excellent on Rembrandt, and his presentation of Vermeer's View of Delft was a joy - made me re-read the death of Bergotte in Proust to remind myself how important that yellow patch of wall was...
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Originally posted by aka Calum Da Jazbo View PostAndrew Graham-Dixon is on fine form in Part 2 of this series ... caught the last part where he discusses the townscape of Delft by Vermeer and quite lost interest in the footie ...
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Originally posted by johncorrigan View Postthought bruegel was breugel
"Pieter Bruegel (about 1525-69), usually known as Pieter Bruegel the Elder to distinguish him from his elder son, was the first in a family of Flemish painters. He spelled his name Brueghel until 1559, and his sons retained the "h" in the spelling of their names. "
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Originally posted by johncorrigan View PostHighlight for me, however, was the illuminated manuscript which was glorious and led on to Van Eyck's altarpiece in Ghent - pretty mind blowing, I thought. Mrs C and I thought it looked worth a visit.
And I agree - that illuminated manuscript was extraordinary!
"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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