Originally posted by Mal
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Films you've seen lately
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Richard Tarleton
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Richard Tarleton
A most peculiar film, The Wife - the role for which Glenn Close lost out to Olivia Colman at the Oscars. Jonathan Pryce plays a writer who wins the Nobel Prize for Literature....a credulity-stretching plot, and plot twist.... Max Irons plays their son, excellent British character actor Richard Cordery in a small role, playing his agent.... That's three British actors doing American accents, I'd love to know how they (mainly Price and Irons) strike American ears. Irons, whom I've seen in a couple of things on TV, a rather wooden actor, in spite of his distinguished acting genes.
But interesting to see how truly weird the whole Nobel ritual is.
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I always liked Adam and Joe, the comedy duo, whether on TV or in their magnificent BBC Radio 6 show. So when Joe Cornish directed his first film I looked forward to it. 'Attack the Block' from 2011 did not disappoint - I thought it was exciting and funny and nicely offbeat sci-fi, with some very good acting performances and some scary-ish monsters. Anyway, yesterday morning the weather turned a bit sour out here, so I decided to bin the gardening and instead headed into Dundee to catch a late morning showing of Joe's latest, 'The Kid Who Would Be King' starring one Louis Serkis (son of Andy) as the Kid. It's a take on the Arthur tales brought into the 21st Century. It wasn't perfect but it had plenty laughs and some good performances particularly from the two Merlins, Angus Imrie; and Patrick Stewart, like he had just nipped over from the National where he had been performing King Lear. Very enjoyable Saturday lunchtime entertainment.
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Originally posted by Richard Tarleton View PostTBF I said the actors [the Booshop] were marvellous, the film merely lovely,...
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Saw Capernaum yesterday. Compelling performances, especially from the 12-year-old main protagonist (and his one-year-old co-star!). Touching, sharply edited and with a very snappily delivered narrative and fascinating documentary insights into the Lebanese milieu which the boy has to find a way of getting to grips with. Harsh, shocking at times, but with a tinge of humour.
Not generally to be found in local multiplexes, so the film needs seeking out, but well worth doing so. We went to Bath Little Theatre and made a day of it with some light shopping and the excellent George Shaw exhibition at the Holburne.
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Originally posted by richardfinegold View Post... I had forgotten how absolutely un subtle Spike Lee is. He manages to kill an interesting story with his heavy handed posturizing.
Alien is 40 years old! An anniversary showing at the cinema still produced gasps and jumps from the packed audience. Unsurprisingly it's showing its age a bit - the computer hardware is very IBM and now looks antediluvian, but the rust-bucket spaceship is timeless and does a wonderful job at generating unease, the use of the creaking iris shutters in the air ducts is a master stroke. Gerry Goldsmith's understated score (influenced by Ives' Unanswered Question perhaps?) causes anxiety too, overlaid by reverb and whispery metallic chatterings. And after all the mayhem, the soothing balm of Howard Hanson's 2nd Symphony as Ripley drifts into slumber, like Snow White in her glass casket. It's a remarkable piece of cinema, that taps into our deepest fears. It stands the test of time.
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Originally posted by Belgrove View PostI agree entirely, never understood why he is rated so highly.
Alien is 40 years old! An anniversary showing at the cinema still produced gasps and jumps from the packed audience. Unsurprisingly it's showing its age a bit - the computer hardware is very IBM and now looks antediluvian, but the rust-bucket spaceship is timeless and does a wonderful job at generating unease, the use of the creaking iris shutters in the air ducts is a master stroke. Gerry Goldsmith's understated score (influenced by Ives' Unanswered Question perhaps?) causes anxiety too, overlaid by reverb and whispery metallic chatterings. And after all the mayhem, the soothing balm of Howard Hanson's 2nd Symphony as Ripley drifts into slumber, like Snow White in her glass casket. It's a remarkable piece of cinema, that taps into our deepest fears. It stands the test of time.
I made the mistake of renting Aliens and letting my young children watch, around 25 years ago. One told me that it gave him nightmares for years
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End of Watch….(David Ayer 2012)
Two LA Cops (Jake Gyllenhaal, Michael Peña) patrol some of the tougher neighbourhoods, encountering situations which become increasingly violent, dangerous and upsetting…. inadvertently stumble on the house/stash (and much worse….look away now, etc) of a Mexican Drug Cartel (you really, really don’t want to do that …..) finally lured into what becomes a breathlessly tense, heartstopping climactic shootout….
It’s a compelling watch from beginning to end of….
Some handheld camerawork from Gyllenhaal himself as Taylor, who, film-within-film style, has ambitions to make a documentary about their work, adds greatly to the realism, grit and tension. Great chemistry and dialogue between him and Zavala (Peña) with much charismatic in-car repartee (True Detective style) reveals their deep friendship… so all the more moving when things get, well, rather serious…
C4/Filmfour have been putting out some great late night movies recently - this is the best thing I've seen Jake Gyllenhaal in since the stunning Nightcrawler (one of my all-time Top Ten for sure)....
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(The Alien franchise was a rare example of a series which maintained quality pretty well wasn't it? Until you get to Prometheus I guess, but even that OTT number was quite scary & inventive...and Michael Fassbender's android character David was exquisitely cold and self-interested. Even when reduced to...a head...)Last edited by jayne lee wilson; 05-03-19, 01:15.
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Originally posted by Edgy 2 View PostTalking Pictures again.
The Detective - Alec Guinness's 1954 turn as G.K Chesterton's "Father Brown", with Cecil Parker, Joan Greenwood, Peter Finch, "Sidney" James etc...
And a delightful score by Georges Auric"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by Caliban View PostMost enjoyable outing for one of Les Six on TPTV...
The Detective - Alec Guinness's 1954 turn as G.K Chesterton's "Father Brown", with Cecil Parker, Joan Greenwood, Peter Finch, "Sidney" James etc...
And a delightful score by Georges Auric
The Night My Number Came Up
This coming Thursday at midnight.
Super little film with Michael Redgrave,Sheila Sim and Alexander Knox.
Suitably dramatic music by our man Malcolm Arnold“Music is the best means we have of digesting time." — Igor Stravinsky
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How did we manage without Talking Pictures TV ?
Recents
The Fallen Idol (Ralph Richardson,music by Alwyn)
The Rocking Horse Winner (Produced by John Mills,Alwyn’s music)
Geordie (Bill Travers,Alastair Sim,Alwyn again)
The Loves Of Joanna Godden (Googie Withers,music by RVW)
Not decided if they are all keepers yet.“Music is the best means we have of digesting time." — Igor Stravinsky
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