Films you've seen lately
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I would call myself a movie fan and we would go the cinema more often but the multiplex experience is not pleasant. Our nearest is Swindon which often doesn't even show the films we might be interested in. The last one we saw was The Artist and previous to that Tinker, Tailor, Soldier, Spy - both very good.
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Carmen
I saw two films last weekend, "Amour" and "Quartet". "Amour" with Jean-Louis Trintingnant, Emmanuelle Riva and Isabelle Huppert, about old age, illness and death, is unbearably honest, brutal, powerful and beautiful all at once. An unforgettable experience. "Quartet" was full of fine actors trying to overcome a poor script and silly plot. Awful!
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Originally posted by Caliban View Post
It occurred to me because I would most enthusiastically recommend 'LIFE OF PI', Ang Lee's film based on the award-winning (Booker 2002) Yann Martel novel.
As Pi closes here this week, that's the one I opted to catch this evening. I haven't read the book, but understand Yann Martel is very pleased with the results. I was struck by what a beautiful film Ang Lee has produced and it's certainly one that I imagine translates better on the big screen than on a DVD at home. Some of the scenes, I felt, were evidently targeted for the 3D audience (I saw the 2D incarnation). I liked the ambiguity of the final scenes and it gave much to think about on the walk home. It's inspired me to read the book.Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency....
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Mandryka
I remember Quartet when the source play by Ronald Harwood (who wrote a not-bad play about Mahler that flopped in the same time-frame) premiered: the subject matter sounded hugely resistible to me then and I feel no different now.
The film sounds like a nakedly unprincipled bid for the grey pound.
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I saw Quartet today after work and found it quite wonderful - funny, poignant and rather uplifting, not least because of the warm performances. Tom Courtenay and Maggie Smith both stubbornly 'English' - reserved and bitter with regrets, while Pauline Collins and Billy Connolly offering comic relief and pathos in equal measure. And how Dame Gwyneth Jones can still steal a scene or three!
It did, however, seem unfortunate that the recording chosen to play over the closing credits, as the four old-timers reassembled to sing the Quartet from Verdi's Rigoletto, was so instantly recognisable as the Pavarotti/ Sutherland one. On the plus side, I liked the way their fictional recording was reissued as a 'Decca Classic'. And the credits showed the actors/ singers with photos from their prime, hence John Rawnlsey in ENO's Rigoletto and Nuala Willis in Faust.Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency....
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