Well, name them.
Great Novels In English: Are There Any?
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Oh for god's sake ...
Tristram Shandy, Tom Jones, Joseph Andrews, Austen, Wuthering Heights, Dickens, Middlemarch, Mill on the Floss, Silas Marner, The Scarlet Letter, Hardy, The Rainbow, Sons and Lovers, Women in Love, Joyce, Woolf, Under Western Eyes, The Secret Agent, A Passage to India, The Sound and the Fury, The Great Gatsby, Chandler, The Sea, The Sea, The Black Prince, The Magic Toyshop, Nights at the Circus, Midnight's Children, Beloved, Money, London Fields, Chatterton, Sexing the Cherry, Art and Lies, Larry's Party, The Stone Diaries, Mao II, Underworld, Hotel World, Pratchett, Darkmans ...
... do not measure up to Dostoevsky, Gogol, Flaubert, Tolstoy et al. With the possible exception of Fitzgerald and his beautifully written Gatsby, they might be good, but they are not great.
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Originally posted by zoomy View Postdo not measure up to Dostoevsky, Gogol, Flaubert, Tolstoy et al. With the possible exception of Fitzgerald and his beautifully written Gatsby, they might be good, but they are not great.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by zoomy View PostOh for god's sake ...
they might be good, but they are not great.
Here we go again..."...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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amateur51
Originally posted by zoomy View PostOh for god's sake ...
Tristram Shandy, Tom Jones, Joseph Andrews, Austen, Wuthering Heights, Dickens, Middlemarch, Mill on the Floss, Silas Marner, The Scarlet Letter, Hardy, The Rainbow, Sons and Lovers, Women in Love, Joyce, Woolf, Under Western Eyes, The Secret Agent, A Passage to India, The Sound and the Fury, The Great Gatsby, Chandler, The Sea, The Sea, The Black Prince, The Magic Toyshop, Nights at the Circus, Midnight's Children, Beloved, Money, London Fields, Chatterton, Sexing the Cherry, Art and Lies, Larry's Party, The Stone Diaries, Mao II, Underworld, Hotel World, Pratchett, Darkmans ...
... do not measure up to Dostoevsky, Gogol, Flaubert, Tolstoy et al. With the possible exception of Fitzgerald and his beautifully written Gatsby, they might be good, but they are not great.
We'll need that and some definition of 'great fiction' before we can proceed, I feel.
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Originally posted by zoomy View PostIf you seriously believe that the writers on your list are better [than] the writers on mine - then we should simply agree to disagree.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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How does one ascribe the attribute of "greatness" to any work of art? Indeed, what does it mean to be great?
Can we say that Beethoven's 9th is greater than Bach's D minor harpsichord concerto, or Schoenberg's Gurrelieder or Webern's Five pieces for orchestra?
Can we say that Picasso was a greater artist than Breughel or Vermeer?
In the end it may be simply a matter of collective opinion, perhaps, and some comparisons don't make sense at all. Within genres comparisons may be difficult, and surely across genres it becomes harder. Mozart compared with Shakespeare or Rembrandt, for example.
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Originally posted by Dave2002 View PostHow does one ascribe the attribute of "greatness" to any work of art? Indeed, what does it mean to be great?
Can we say that Beethoven's 9th is greater than Bach's D minor harpsichord concerto, or Schoenberg's Gurrelieder or Webern's Five pieces for orchestra?
Can we say that Picasso was a greater artist than Breughel or Vermeer?
In the end it may be simply a matter of collective opinion, perhaps, and some comparisons don't make sense at all. Within genres comparisons may be difficult, and surely across genres it becomes harder. Mozart compared with Shakespeare or Rembrandt, for example.
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I think what zoomy and mandryka (alter egos peut-etre?) condemn in the English novel is its tendency to become a "loose baggy monster" (James). This epithet, of course, was strictly applied to a certain type of formless novel, seemingly without a controlling artistic hand at the tiller. It should be acknowledged that James' description was applied not only to English novelists (in particular Thackeray) but also Dumas and Tolstoy. Of course, this reaction overlooks such obviously intricately woven novelistic achievements as Woolf's Mrs Dalloway; Joyce's Portrait of the Artist; Conrad's Nostromo(a French novel in English, surely, if ever there were one?) and The Secret Agent; Pynchon's The Crying of Lot 49; Burgess' A Clockwork Orange; Wuthering Heights; Wells' The Invisible Man; Ford's The Good Soldier; Melville's Moby Dick; Heller's Catch 22; Lawrence's Sons and Lovers; Lowry's Under the Volcano;.... [That's enough novels - Ed.]
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Originally posted by Pabmusic View PostHow I agree. It's fun to talk about why I like one novel (or writer) more than another, and it means very little. But a thread title such as this one has is utterly meaningless unless "great" is defined for this particular context.
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A novel is its own thing: it may be (self-evidently) good or (self-evidently) bad for various reasons; you may enjoy it or find it boring.
Certain works, like War and Peace or A la recherche du temps perdu have become, if you like, 'icons'. But that also does not not quantify their greatness as against each other or other works. The notion that other works would be just as well-known if they were 'great' novels is nonsense.
In what sense is Balzac greater than Dickens? Or Dickens greater than Gissing? Having studied literature for decades, I can't say that that was ever a consideration that arose. There's usually some kind of mundane practical reason for these 'Best Novels' 'Greatest Poets' competitions: sales, publicity &c.It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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