Originally posted by Pabmusic
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'Endeavour' ITV 1
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On the evidence of tonight's episode, 'Endeavour' seems to have lost its way. It seemed unable to decide whether it was to be issue- or character-led and ended up being an awkward mixture of the two. For me, another major problem was that it was stuffed to overflowing with story lines and issues, none of which had the chance or time to be satisfactorily developed:
- Loyalty among soldiers
- The treatment of war heroes
- Racism
- Fred Thursday's relationship with his son
- Fred Thursday's attitude to his job
- The reorganization of the police force
- Morse's relationship with the photojournalist
- The relationship between Fancy and Trewlove
- The relationship between the military and the police
That's a lot to pack into 96 minutes of television!
And I found the quotations from 'Vitae Lampada Tradamus' and the death of MacDuff unnecessarily melodramatic - almost to the point of parody.
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Originally posted by LMcD View PostOn the evidence of tonight's episode, 'Endeavour' seems to have lost its way. It seemed unable to decide whether it was to be issue- or character-led and ended up being an awkward mixture of the two. For me, another major problem was that it was stuffed to overflowing with story lines and issues, none of which had the chance or time to be satisfactorily developed:
- Loyalty among soldiers
- The treatment of war heroes
- Racism
- Fred Thursday's relationship with his son
- Fred Thursday's attitude to his job
- The reorganization of the police force
- Morse's relationship with the photojournalist
- The relationship between Fancy and Trewlove
- The relationship between the military and the police
That's a lot to pack into 96 minutes of television!
And I found the quotations from 'Vitae Lampada Tradamus' and the death of MacDuff unnecessarily melodramatic - almost to the point of parody.
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Originally posted by subcontrabass View PostAlso overdosing on "literary" and historical allusions: https://thekillingtimestv.wordpress....18/02/26/8925/
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Originally posted by LMcD View PostOn the evidence of tonight's episode, 'Endeavour' seems to have lost its way. It seemed unable to decide whether it was to be issue- or character-led and ended up being an awkward mixture of the two. For me, another major problem was that it was stuffed to overflowing with story lines and issues, none of which had the chance or time to be satisfactorily developed:
- Loyalty among soldiers
- The treatment of war heroes
- Racism
- Fred Thursday's relationship with his son
- Fred Thursday's attitude to his job
- The reorganization of the police force
- Morse's relationship with the photojournalist
- The relationship between Fancy and Trewlove
- The relationship between the military and the police
That's a lot to pack into 96 minutes of television!
And I found the quotations from 'Vitae Lampada Tradamus' and the death of MacDuff unnecessarily melodramatic - almost to the point of parody.
Actually, I thought this episode lacked some of the more basic failings of previous ones, e.g. characters stating the bleeding obvious to one another in order to keep the slower ITV viewers up to speed, and the ghastly and credibilty-stretching Morse explanation at the end of who did what and why. At least the dénouement evolved slightly more organically...
But it could still be done with more subtlety - the elusive, moody atmosphere of the best of the original Morse series (some of them were awful too) isn't much in evidence, it's all a bit too obvious.
I could still watch Roger Allam reading the phone book though, and be happy"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by Richard Tarleton View PostIt's all gone a bit John Le Carré this week
We're in 1968, the Prague Spring......
And Ellie Haddington reprising her Foyle's War role.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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This latest episode started with a bizarre sequence that looked as if it had been lifted, unedited, from 'Midsomer Murders', then turned into a clumsy mixture of 'Foyles' War' - an impression reinforced by Ellie Haddington reprising her role in the latter- 'Tinker Tailor Soldier Spy' and any number of other Cold War spy thrillers. Pretty poor fare IMHO.
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Richard Tarleton
If only he didn't have to grow up to be Inspector Morse, he could have gone steady with that nice Joan Thursday a couple of series ago.....
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