The spirit and art of imperfection

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  • Serial_Apologist
    Full Member
    • Dec 2010
    • 37702

    The spirit and art of imperfection

    The following link offers a take on an important aspect of Japanese traditional arts - one which has often been considered peculiar to Japan (though it mostly originated in China) but which I have found it possible to make an indispensable part of myself, since it is an approach to life that can be applied to any activity, so-called everyday or so-called artistic, making use of each and every one of the senses, as called upon.

    As a practicable as well as spiritual philosophy of life, it chimes in well with advocating and nourishing an ecological basis for proceeding politically in full consciousness of the sustaining principles of balance governing life in all its multifacetedness.

    Wabi-sabi offers a refuge from the modern world’s obsession with perfection, and accepts imperfections as all the more meaningful – and, in their own way, beautiful.
  • Bryn
    Banned
    • Mar 2007
    • 24688

    #2
    Originally posted by Serial_Apologist View Post
    The following link offers a take on an important aspect of Japanese traditional arts - one which has often been considered peculiar to Japan (though it mostly originated in China) but which I have found it possible to make an indispensable part of myself, since it is an approach to life that can be applied to any activity, so-called everyday or so-called artistic, making use of each and every one of the senses, as called upon.

    As a practicable as well as spiritual philosophy of life, it chimes in well with advocating and nourishing an ecological basis for proceeding politically in full consciousness of the sustaining principles of balance governing life in all its multifacetedness.

    http://getpocket.com/explore/item/ja...b-global-en-GB
    As you are no doubt aware, Cage was strongly influenced by Japanese art traditions. Several of his works derived from, for instance, imperfections detected in the paper he was working with.

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    • Richard Barrett
      Guest
      • Jan 2016
      • 6259

      #3
      Originally posted by Bryn View Post
      As you are no doubt aware, Cage was strongly influenced by Japanese art traditions. Several of his works derived from, for instance, imperfections detected in the paper he was working with.
      I have much sympathy with these ideas, which no doubt I first encountered through John Cage, and indeed with many aspects of Japanese culture, including its classical music. Unfortunately I've only visited Japan once, and for a tantalisingly short time, but what I saw and experienced was exactly what I had hoped it would be.

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      • Beresford
        Full Member
        • Apr 2012
        • 555

        #4
        I see wabi-sabi in the work of the English potter William Plumptre, especially his ropework glazes; he spent a long time in Japan as a student of Shamaoka.

        Comment

        • french frank
          Administrator/Moderator
          • Feb 2007
          • 30317

          #5
          A sweet disorder in the dress
          Kindles in clothes a wantonness;
          A lawn about the shoulders thrown
          Into a fine distraction;
          An erring lace, which here and there
          Enthrals the crimson stomacher;
          A cuff neglectful, and thereby
          Ribands to flow confusedly;
          A winning wave, deserving note,
          In the tempestuous petticoat;
          A careless shoe-string, in whose tie
          I see a wild civility:
          Do more bewitch me, than when art
          Is too precise in every part.
          It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.

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          • Richard Barrett
            Guest
            • Jan 2016
            • 6259

            #6
            There's also Castiglione's "nobile sprezzatura", but I think the Japanese concept here isn't a studied slight dishevelment but more to do with what Cage, quoting Ananda Coomaraswamy (who was paraphrasing Aquinas!) puts as “the responsibility of the artist [being] to imitate nature in the manner of her operation.”

            Comment

            • eighthobstruction
              Full Member
              • Nov 2010
              • 6444

              #7
              ....just listening to John Zorn -Night thoughts : A Vision in Blakelight....which in itself might be a soundtrack for a tiny stream with autumn leaves, and a wabi-sabi tea bowl resting on a rock....
              ....as a potter who finds it difficult to throw wonky bowls these days....just every now and again one arrives....
              bong ching

              Comment

              • french frank
                Administrator/Moderator
                • Feb 2007
                • 30317

                #8
                Originally posted by Richard Barrett View Post
                There's also Castiglione's "nobile sprezzatura", but I think the Japanese concept here isn't a studied slight dishevelment but more to do with what Cage, quoting Ananda Coomaraswamy (who was paraphrasing Aquinas!) puts as “the responsibility of the artist [being] to imitate nature in the manner of her operation.”
                Yes, of course. The Japanese concept doesn't, it seems to me, intend the artist's deliberate pursuit of imperfection in order to create a particular effect but a deliberate intention to capture a kind of reality in a way that perfection doesn't succeed in doing.
                It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.

                Comment

                • Serial_Apologist
                  Full Member
                  • Dec 2010
                  • 37702

                  #9
                  Originally posted by french frank View Post
                  Yes, of course. The Japanese concept doesn't, it seems to me, intend the artist's deliberate pursuit of imperfection in order to create a particular effect but a deliberate intention to capture a kind of reality in a way that perfection doesn't succeed in doing.
                  However the unintentional, or unintended, plays a pivotal role in Japanese arts of this kind, that are analogous with what in the west we think of as "first time luck": e.g. hitting the bullseye without really trying, then finding that trying for the same results in repeated failure. This ties in more widely with the faith the spiritual practices underlying these arts have in the basic trustworthiness of human nature, carefully nurtured, then left as much uninterfered with as possible. There are many Zen anecdotes and parables that back this up.

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