Originally posted by johncorrigan
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The Little Drummer Girl
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I ended up watching this out of a sense of duty rather than enjoyment. The payoff simply was not worth the long wait. I still don't understand Charlie's motivation, and didn't care about the fate of any of the characters. Spielberg's Munich did a much better job of portraying Mossad. Geoffrey Rush's portrayal in that film as the handler exuded charm, threat and deep psychological understanding of his charges and adversaries in just a few scenes - I did not get any of that from the lugubrious character played by Michael Shannon.
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Originally posted by Belgrove View PostI ended up watching this out of a sense of duty rather than enjoyment. The payoff simply was not worth the long wait. I still don't understand Charlie's motivation, and didn't care about the fate of any of the characters. Spielberg's Munich did a much better job of portraying Mossad. Geoffrey Rush's portrayal in that film as the handler exuded charm, threat and deep psychological understanding of his charges and adversaries in just a few scenes - I did not get any of that from the lugubrious character played by Michael Shannon.
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I found it incomprehensible and fairly pointless - or at least meandering - there may have been some points, but not put across particularly well. Do I wish I'd followed LMcD's example? Not sure. If I read the book I could simply be compounding the bewilderment - or at least getting marginal extra benefit. Maybe I'll add it to my reading list - about half way down!
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... we watched to the end, also 'out of a sense of duty rather than for any enjoyment'. I thought it was awful; Mme v who has read the book agrees.
The photography was from time to time stylish, but the plot was dire and implausible beyond words, and the characters without exception uninvolving. There was no chemistry between any of the actors; the sullen Swedish hunk wooden beyond parody, the Israeli spymaster a charisma-free zone not likely to win any converts to his cause, the key requirement of such a post, and even dear Chas: Dance walking thro' the whole mess as a one-dimensional bellicose caricature. The most one could say for the 'actress' was that she tried hard to be a plausible actress. And the dialogue! a combination of the hackneyed and the totally unbelievable. People just don't talk like that.
No, we didn't really like it very much....
.Last edited by vinteuil; 03-12-18, 16:46.
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Richard Tarleton
I went right off it in the last 2 episodes, having received it enthusiastically to start with. I think it's a terrific book, he's a great writer, but the dramatisation has to stand on its own merits and I have to agree that this one didn't.
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Originally posted by Richard Tarleton View PostI went right off it in the last 2 episodes, having received it enthusiastically to start with. I think it's a terrific book, he's a great writer, but the dramatisation has to stand on its own merits and I have to agree that this one didn't.
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Richard Tarleton
Originally posted by Richard Barrett View PostWatching it made me want to read the book because then at least I ought to be able to work out why it was thought worth making a screenplay out of. Would I be right in thinking the ending of the TV series is a somewhat sanitised version?
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Originally posted by Richard Tarleton View PostActually it was quite a literal transliteration [is that right? ed.] except that I think the denouement happened in Switzerland - some time since I read it. And Charlie goes back to her actors' group, rather than to a - what was it, exactly? A more emotionally satisfactory ending, with Gadi/Joseph in the audience (some time since I last read it). I think the Charles Dance character is new. It's just that it was so....leaden. There is so much in the book which takes place in Charlie's head....it happens with all JLC dramatisations, you lose the sense of enjoying the savour of all that lovely prose, with characters leaping off the page."The sound is the handwriting of the conductor" - Bernard Haitink
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Originally posted by kernelbogey View PostI felt there wa something odd about this film. I wonder - cannot be sure - whether 1979 wasn't quite accurately portrayed....
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