Originally posted by AuntDaisy
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I'd be interested to see what anyone (who's seen it) thought of The Return of Maria Callas on BBC4, as part of their Soprano Sundays series.
Playing devil's advocate I wonder if it was the best programme to convert a non-classical-music-lover to classical music. They come on in glittering evening dress and receive a tremendous ovation before they've sung a note. And they (even the page-turner) troop off and back on stage after every item. I don't know how much they paid for their tickets; maybe they were so determined to enjoy it that they overlooked the fact that Callas herself was not in very good voice that evening (or in any evening after the 1950s) and they were just so over the moon even to see her after so many years.
But like so many of these archive TV films it was a glimpse of a vanished world, and for me it was valuable for that. There was Ivor Newton, veteran of so many recitals with long-vanished singers. And Stefano, at any rate , was still in good voice. And Callas was after all a unique phenomenon, even in decline. And we wouldn't have this were it not for John Culshaw in his (then) second career as head of music for BBC TV, a few years that saw the films of Peter Grimes and Owen Wingrave. I was surprised when he suddenly abandoned his career as record producer when at the height of his powers (Billy Budd and the Solti Verdi Requiem) and I've often wondered if he was satisfied or frustrated at what he was able to do at the BBC.
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Originally posted by smittims View PostJohn Culshaw in his (then) second career as head of music for BBC TV, a few years that saw the films of Peter Grimes and Owen Wingrave. I was surprised when he suddenly abandoned his career as record producer when at the height of his powers (Billy Budd and the Solti Verdi Requiem) and I've often wondered if he was satisfied or frustrated at what he was able to do at the BBC.
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Originally posted by Serial_Apologist View Post
It has to be said that Culshaw has nevertheless had a brilliant subsequent career as an up-to-the-minute writer and satirical comedian: I for one never miss Dead Ringers.
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Originally posted by smittims View PostI'd be interested to see what anyone (who's seen it) thought of The Return of Maria Callas on BBC4, as part of their Soprano Sundays series.
Playing devil's advocate I wonder if it was the best programme to convert a non-classical-music-lover to classical music. They come on in glittering evening dress and receive a tremendous ovation before they've sung a note. And they (even the page-turner) troop off and back on stage after every item. I don't know how much they paid for their tickets; maybe they were so determined to enjoy it that they overlooked the fact that Callas herself was not in very good voice that evening (or in any evening after the 1950s) and they were just so over the moon even to see her after so many years.
But like so many of these archive TV films it was a glimpse of a vanished world, and for me it was valuable for that. There was Ivor Newton, veteran of so many recitals with long-vanished singers. And Stefano, at any rate , was still in good voice. And Callas was after all a unique phenomenon, even in decline. And we wouldn't have this were it not for John Culshaw in his (then) second career as head of music for BBC TV, a few years that saw the films of Peter Grimes and Owen Wingrave. I was surprised when he suddenly abandoned his career as record producer when at the height of his powers (Billy Budd and the Solti Verdi Requiem) and I've often wondered if he was satisfied or frustrated at what he was able to do at the BBC.
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Originally posted by smittims View PostOf course. I'm afraid it was just my feeble attempt at humour.
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Originally posted by LMcD View Post
Apparently he was offered an interview on Radio 4, but he was too busy negotiating a fee for a starring role in 'I'm A Celebrity'. When he learned that Nigel Farage would be a fellow contestant he went back to Radio 4 who had, however, had a 'proper gander' at his record and lost interest.
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