Originally posted by richardfinegold
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American Situation Comedy Series - The Provisional Results of My Review
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Originally posted by richardfinegold View PostThe Dick Van Dyke show was a homogenized (I.e., less Jewish and made more palatable for Gentile taststes) sitcom that derived from Your Show Of Shows, an early 1950s, Live TV show with Sid Ceaser as the headliner. Dick Van Dyke show (DVDS) was created by Carl Reiner, who was a writer on YSOS. Other writers for YSOS included Mel Brooks, Woody Allen, Neal Simon, and several other young Jewish Comics. One can only imagine the material that this melting pot produced Reportedly the best jokes that came from this group never made it on the airwaves, fearing censorship.
Anyway, DVDS attempted to capture some of this hilarity and put a white bread face on it, in the talented star and Mary Tyler Moore, who was a terrific comedic actressOriginally posted by ferneyhoughgeliebte View PostThere was Jack Benny's butler, Rochester - but doesn't exactly offer a great contradiction to what you say here!
I've been reviewing all these shows on the internet. Some of it involves tolerating adverts every six minutes - for example, on Daily Motion -and it's really painful. On Mon-Wed, they were punctuated by tens of showings of ITV's ad for "Trauma" and L and G talking about life insurance. I've looked at the DVDs on offer but am reeling from the prices of the box sets.
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Neither the Dick van Dyke Show, nor the Jack Benny Show were "sketch shows", Lats, but sitcoms - just like the later Mary Tyler Moore and Cosby shows, the star of the show was playing a character with a featured set of other characters, and the stories centred around these people week after week.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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After a quick check at WIKI, the Jack Benny Programme on radio (before it moved to TV) was part sit-com, part variety show - with the story interrupted by Musical items and with banter between Benny and the radio announcer. This sounds rather like The Goon Show - and ??? the earlier US Burns & Allen. Superb dialogue in this latter - Gracie Allen supposedly the dim wife, but actually far more astute than her husband. On Burns' trying to explain to her what a "maiden name" means, the following exchange resulted:
Burns: So; before you married me, what did people call you?
Allen: Gracie Allen.
Burns: Yes, and what do they call you now, after you married me?
Allen: That stupid Gracie Allen.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by ferneyhoughgeliebte View PostNeither the Dick van Dyke Show, nor the Jack Benny Show were "sketch shows", Lats, but sitcoms - just like the later Mary Tyler Moore and Cosby shows, the star of the show was playing a character with a featured set of other characters, and the stories centred around these people week after week.
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Originally posted by Lat-Literal View PostHi ferney and thank you for your comments. I'm familiar with the DVDS. Not so the Jack Benny Show but, of course, I know the name. I have also been watching some episodes of Burns and Allen which is new to me. But I was referring to "Your Show of Shows" which on reflection was probably better termed a variety show than a sketch show, not that I have seen it.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by richardfinegold View PostBy the time that Seinfeld came out, I had stopped watching television completely. However, since my ex wife was addicted to television on the order of 12 hours a day, and since my children liked Seinfeld, I’ve seen several episodes .
'Malcolm in the Middle' was another excellent American sitcom badly treated by the Beeb. Maybe the schedulers couldn't work out if MITM was a kids' programme or an adult programme cos it got bumped about all over the place. Anyway there was a wonderful episode of it which I wouldn't mind seeing again either which involved a huge firework and which the young Master C and I laughed about for days afterwards. Of course, Malcolm's Dad went on to be the lead in 'Breaking Bad', but I think I preferred him in MITM.
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Originally posted by johncorrigan View PostI haven't seen much of Seinfeld, Richard. It kept getting shifted about when it was on the Beeb and I could never keep track. But there was an episode which I recall and which completely blew me away in which the story is told backwards. I thought it was genius. Wouldn't mind another view of it.
'Malcolm in the Middle' was another excellent American sitcom badly treated by the Beeb. Maybe the schedulers couldn't work out if MITM was a kids' programme or an adult programme cos it got bumped about all over the place. Anyway there was a wonderful episode of it which I wouldn't mind seeing again either which involved a huge firework and which the young Master C and I laughed about for days afterwards. Of course, Malcolm's Dad went on to be the lead in 'Breaking Bad', but I think I preferred him in MITM.
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Originally posted by johncorrigan View Post'Malcolm in the Middle' was another excellent American sitcom badly treated by the Beeb. Maybe the schedulers couldn't work out if MITM was a kids' programme or an adult programme cos it got bumped about all over the place. Anyway there was a wonderful episode of it which I wouldn't mind seeing again either which involved a huge firework and which the young Master C and I laughed about for days afterwards.
“Boys, I’d like to introduce you... to the Komodo 3000”
"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Richard Tarleton
Originally posted by johncorrigan View PostI haven't seen much of Seinfeld, Richard. It kept getting shifted about when it was on the Beeb and I could never keep track. But there was an episode which I recall and which completely blew me away in which the story is told backwards. I thought it was genius. Wouldn't mind another view of it.
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Originally posted by Richard Tarleton View PostSee my #8, John, that was episode 164, The Betrayal. Genius indeed. Yes it was treated very badly (and stupidly) by the Beeb, but I eventually saw it all there, and the entire series was repeated on Sky recently.
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Originally posted by MickyD View PostWill and Grace at no.90?? That's unthinkable to me.Originally posted by Beef Oven! View PostLat, there's a typo. You have Mash at #32 when you meant #1.
However, with one or two exceptions - Bob Newhart has confirmed what I have for most of my life believed which is that he is a genius, particularly in timing, and deserves a higher placing that six - I am inclined to the opposite direction. For example, the madcap Night Court is moving up rapidly as is the marmite The Wonder Years. The very childish Alf and the cartoon The Flintstones are, if anything, increasingly enjoyed. I can see where we are here. There is that point about whether the genre of sitcom should be assessed much as any serious genre from an adult perspective. The idea that much of what we might have enjoyed when young was really rather trite. No animals, no families, no sugary sentimentality, no pop groups, no supernatural beings, no people with weird attitudes on skin colour and no twerps sitting on an island, never to escape. A big yes to lawyers, journalists, writers, surgeons, soldiers, the politically correct, and those with sharp dialogue in studio sets where the main colours, literally, are black, white, blue and beige and several shades of grey.
I do "get" much of the latter. I really do - and I think it is there in a lot of what is already well placed. On the other hand, Mash to take one example is very medical at times as well as being great and I have always been uneasy in that area. There's only so much talk about sodium loss before I have a panic attack and have to leave the room. Neil Simon's The Odd Couple is also a programme of quality and it was very evidently a blueprint for some later shows but I prefer the characters in the latter. I'm thinking here specifically of Frasier. On Will and Grace, I realise that it has a considerable following but I have only seen three episodes. That is two and a half more than I have seen of Friends and Sex and the City with which I had previously associated it. They were all under the label "not of my time" as was everything in the 2000s until The Big Bang Theory and Everybody Loves Raymond came along to prove my theory wrong. It isn't, though, just about childhood or the first decades of adult life. It is also about class background. The critically rated shows in any era did well in the Nielsen index among the middle classes. Those that weren't critically rated were popular with the lower middle classes and those of working class. Like many folk, I straddle that line.Last edited by Lat-Literal; 16-02-18, 17:16.
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