Originally posted by johnb
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Jacqueline du Pre: documentary & performance, BBC 4
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Originally posted by gurnemanz View PostPrompts another 1968 reminiscence. In August 1968 having just completed our first year as undergraduates I was with some friends on a camping holiday around the Northern Adriatic. We had heard about the Prague invasion via rather fragile portable radio reception. One day we decided to take the ferry across the bay over to Venice. We saw a newspaper headline "Dubcek assassinato!" - which of course turned out to be not true. It was rather hard to know what was actually happening. One evening we were camped on a beach at Jesolo and tuned to Radio Luxembourg .... 'and now the new Beatles single'. We sat there staring out at the phosphorescent waves and listened for the first time to the momentous Hey Jude.
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Originally posted by Eine Alpensinfonie View PostI did see JDuP performing the Elgar with Barbirolli in Manchester in the late 1960s. It was one of those occasions that one can never forget.
Barbirolli was a great Dvorak conductor as his peerless Pre Dvorak 8 shows . I just wish she had recorded the concerto with him in 1967 rather than Barenboim in 1970 when undiagnosed MS was already having an effect on her playing .
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Richard Tarleton
Originally posted by Barbirollians View PostWatched it again tonight but diverted the audio to speakers via Airport Express - comes over with even more immediacy and du Pre's playing greatly enhanced and is that Jack Brymer so wonderful on the clarinet .
I listened via my satellite dish/amp/speakers but didn't think much of the sound, I don't think I'd have bothered listening for long in sound only. This must have been around the time the mushrooms were installed - were they in place? I don't know what difference they made to recordings.
I was intrigued by her vibrato action, which seemed quite extreme at times - she seemed to be almost boring a hole in the fingerboard in upper positions. But overall her body language was relatively restrained, from what I remember.
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Originally posted by Richard Tarleton View PostAh! That didn't click. I was trying to spot other orchestra members - DB talking to John Georgiadis while the string was being replaced, Previn's future nemesis Howard Snell on trumpet.....
I listened via my satellite dish/amp/speakers but didn't think much of the sound, I don't think I'd have bothered listening for long in sound only. This must have been around the time the mushrooms were installed - were they in place? I don't know what difference they made to recordings.
I was intrigued by her vibrato action, which seemed quite extreme at times - she seemed to be almost boring a hole in the fingerboard in upper positions. But overall her body language was relatively restrained, from what I remember.
Sitting behind her, it was very distracting - especially if she was directly in line with the conductor.
Jacquie's sister, Hilary, was a very accomplished flautist, but she disappeared; following a scandalous rumour about a certain relationship.
No names - no pack drill!
...sorry I spoke.
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Originally posted by Richard Tarleton View PostAh! That didn't click. I was trying to spot other orchestra members - DB talking to John Georgiadis while the string was being replaced, Previn's future nemesis Howard Snell on trumpet.....
I listened via my satellite dish/amp/speakers but didn't think much of the sound, I don't think I'd have bothered listening for long in sound only. This must have been around the time the mushrooms were installed - were they in place? I don't know what difference they made to recordings.
I was intrigued by her vibrato action, which seemed quite extreme at times - she seemed to be almost boring a hole in the fingerboard in upper positions. But overall her body language was relatively restrained, from what I remember.
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Barenboim/WEDO at RFH last night & today (Sun) for MS Society & tribute to Du Pre with 25yr old Kian Soltani as soloist in Don Quixote
Daniel Barenboim paid tribute to his first wife, Jacqueline du Pré, with an unmatched live performance of Strauss’s Don Quixote, featuring a sublime Kian Soltani on cello
On R3 Mon 30
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Her Don Quixote really is remarkable as it was no more than a recorded rehearsal for a concert after Klemperer pulled out of a recording . Bizarre they did not try and salvage a recording when Boult was able to step in . It is a terrific account despite the fact it was recorded on a whim .
I suppose they al thought they had all the time in the world to record Du Pre .
10 years ago Radio 3 played some more of her off record accounts including a remarkable Shostakovich 1 with Hugo Rignold and the CBSO apparently the only time she ever played it.
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