Originally posted by ferneyhoughgeliebte
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What are you reading now?
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I was very good and pressed on with Swann in Love and we've now reached Baalbec with our grandmother and her copy of Mme de Sevigne.
I fear that the main pleasure is the one of having surmounted an obstacle but I feel I am "getting" the work better than I did at first reading a long time ago.
And there is the pleasure of the screaming Frenchness of it all.
The narrator seems to have, in Jane Austen's words, a sensibility too trembling alive. This means he is brilliant at descriptions of things and their human context, but hopeless at human relationships. Now wonder Giblberte gets fed up with him.
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Originally posted by Don Basilio View PostI was very good and pressed on with Swann in Love and we've now reached Baalbec with our grandmother and her copy of Mme de Sevigne.
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Originally posted by ardcarp View PostMichael Ondaatje's Warlight A sligtlly weird (and slightly scary) book. I don't really know what to make of it and I'm over halfway through. Anyone else read it?
Yes, I read it afew months ago and so did my wife. It helps to hang in there and finish the book, as most of the loose ends are tied up.
It is the other side of the LeCArre Genre-the toll that the dashing spy's lifestyle enacts upon his or her family.
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I finished Roy Jenkins Churchill biography., all 900 something pages of it. It's Churchill's life as seen by a Politician , and of course Jenkins had more than a nodding acquaintance with Clement Attlee. Still, the ups and downs of a M.P. Election in 1920s Dundee gets several paragraphs, whereas the decision to target the German Civilian Population in WWII about half a sentence. I understand that it was a biography of W.C. and not a comprehensive history any of the events through which he passed, but while it is a good read I thought it was light on substance and ultimately therefore a disservice to W.C., although one does get the essence of the man.
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Richard Tarleton
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Originally posted by CallMePaul View PostThe Moor by William Atkins. This is a fascinating book about the role of moorland in English (Atkins does not consider Scotland, Wales or Ireland) culture, consciousness and crime.
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