Last night's feature (10 Oct), Ted Hughes: Stronger than Death, a stimulating harbinger for the Poetry season, provided a compelling experience and a welcome companion to the Miller season now underway - a heads-up for the R3 documentary at 18.45 hrs today, before Death of a Salesman at 21.00hrs - and the Bernstein season, 25 years since his death, is also beginning to register its presence. Time, even in retirement, now at a premium!
I thought the Hughes feature did much to counter his reputation as a promiscuous and dominating man and was fascinated to see his daughter, Frieda, in her first TV interview, -she must now be in her early 50s - sympathetically redressing the balance. The writing had a Strindbergian intensity in its power-play and I'm now eager to revisit his Birthday Letters and Sylvia Plath's, The Bell Jar. Even the graphic imagery throughout managed to disturb. Contributions, too, from other family members, friends, poets and writers. A gripping 90 mins.
I thought the Hughes feature did much to counter his reputation as a promiscuous and dominating man and was fascinated to see his daughter, Frieda, in her first TV interview, -she must now be in her early 50s - sympathetically redressing the balance. The writing had a Strindbergian intensity in its power-play and I'm now eager to revisit his Birthday Letters and Sylvia Plath's, The Bell Jar. Even the graphic imagery throughout managed to disturb. Contributions, too, from other family members, friends, poets and writers. A gripping 90 mins.
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