Originally posted by french frank
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Sounds of Cinema Sunday
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Originally posted by Ein Heldenleben View Post
Back on thread . West Side Story isn’t film music any more than Oklahoma or South Pacific. Bernstein’s On the Waterfront on the other hand is film music and a rather good example deservedly winning an Oscar,It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Originally posted by Ein Heldenleben View Post
Thanks. First and Third are also according to Cousin Jasper in Brideshead the only degree classes worth aiming for - a second is a waste of time.
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Originally posted by french frank View Post
One of the stipulations for our poll was that the score had to have been specially composed for the film. Perhaps that was the reason we got a different result? All the more interesting in RVW's case that it was the film score that came first and the symphony afterwards.
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Originally posted by kernelbogey View PostReally?
I just heard some of Hans Zimmer's music for Dune 2 on Breakfast. It was, in that context, pleasant enough, anodyne and unobtrusive. I don't doubt it adds to the film.
But I continue to contend, as I have on the Forum in past years, that most of film music is relevant only to its filmic context - and is uninteresting on its own.
Yet we now have a whole day devoted to it.
Having switched off during a day devoted entirely to women composers yesterday I can certainly empathise with you, KB. It’s not that I don’t enjoy women composers’ music, I do, it’s just that we’ve probably got the political message by now. It doesn’t need reinforcing, does it?
A whole day devoted to cinema music? Well, as it happens we cashed in a Christmas gift voucher for a new local cinema and saw Dune 2 at an afternoon sitting just this week. I emerged from the movie, blinking in the late afternoon sunshine, for once, in agreement with reviewers. It’s a visually stunning, beautifully crafted movie and Hans Zimmer’s score is ‘a sonic landscape as overwhelming as Arrakis itself’. Matthew Sweet’s interview on Sound of Cinema this afternoon with director Denis Villeneuve was an unexpected treat for me. Highly recommended if you like that sort of thing.
Being of the opinion that cinema music is probably the closest that many people get to serious orchestral music these days and might even provide a gateway for the curious to a lot of new music I shall be popping in tomorrow. I’m particularly looking forward to Hannah French’s examination of representations of period music in film on The Early Music Show special edition.
If you were sitting where we were in the front row, KB, I don't think you would have described the Dune soundtrack as anodyne and unobtrusive, LOL. It was a bit loud, the soundwaves resonating in the sternum somehow.
And the tune ends too soon for us all
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Originally posted by Hitch View PostAlong with film music, game soundtracks might be encouraging people to explore orchestral music. Some people play games, particularly the open-world RPGs, for hundreds of hours. That amount of immersion is bound to have an effect. There was a BBC Gaming Prom last year with the RPO.It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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I've seen quite a few posts in the classical music section of Reddit from people who like heavy metal, film music and game soundtracks, asking for classical music suggestions because they have had their interest piqued by classical (or pseudo-classical) elements in what they've heard. Whether film music belongs on R3 and not R2 is debatable, as this thread demonstrates, but the fact remains that Radio 3 has hit on the eccentric notion of attracting said fans to the station by not telling them that the station is playing music that they might like. If only Radio 3 could advertise its wares all over a world-renowned broadcasting system with many different stations and channels instead of wearing a metaphorical sandwich-board...
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Just been listening to Sounds of Cinema Sunday while getting breakfast ready.
What a mish-mash. It feels like being endlessly on hold or stuck in a lift.
Some of the pieces were "pretty" enough (e.g. Grand Budapest Hotel), but without the pictures to give context...
As for the Oscar 5 piece medley, least said.
Then there were the endless trailers for "AWARD WINNING" Podcasts. Exactly which award did they win? Was it for being most like Squirrel Droppings?
Think I'll give the rest of the day a miss, probably including The Early Music Show. Might put last night's glorious Purcell double-bill on again.
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I'm sticking with Breakfast out of a kind of loyalty. But most or all of what I've heard supports my contention that film music without the pictures is rather vacuous. OK the occasional tune is memorable - Pink Panther is playing now - but the purpose of film music is to enhance the action and help create a mood. The music 'for the love scene in Vertigo' was a quintessence of romantic love. Some people who don't know 'classical' music might have their interest piqued by music played on actual instruments rather than electronic synthesisers. None of that, IMV, makes it suitable for a serious music station's output. Oh. wait....
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Originally posted by AuntDaisy View PostJust been listening to Sounds of Cinema Sunday while getting breakfast ready.
What a mish-mash. It feels like being endlessly on hold or stuck in a lift.
Some of the pieces were "pretty" enough (e.g. Grand Budapest Hotel), but without the pictures to give context...
As for the Oscar 5 piece medley, least said.
Then there were the endless trailers for "AWARD WINNING" Podcasts. Exactly which award did they win? Was it for being most like Squirrel Droppings?
Think I'll give the rest of the day a miss, probably including The Early Music Show. Might put last night's glorious Purcell double-bill on again.
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Originally posted by AuntDaisy View PostJust been listening to Sounds of Cinema Sunday while getting breakfast ready.
What a mish-mash. It feels like being endlessly on hold or stuck in a lift.
Some of the pieces were "pretty" enough (e.g. Grand Budapest Hotel), but without the pictures to give context...
As for the Oscar 5 piece medley, least said.
Then there were the endless trailers for "AWARD WINNING" Podcasts. Exactly which award did they win? Was it for being most like Squirrel Droppings?
Think I'll give the rest of the day a miss, probably including The Early Music Show. Might put last night's glorious Purcell double-bill on again.
The amusement today are the extraordinary non sequiturs . After mention of the film Quartet set in a retired musicians nursing home disrupted by the arrival of a diva played by Dame Maggie Smith we get…..Luciano Pavarotti and Dame Joan Sutherland singing Bella Figlia Del Amore..
And now the theme from A Bridge Too Far by John Addison .. now that is a terrific piece of music but it’s all so random.
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I too have given up and switched off. I enjoyed Villeneuve in cinema Sunday but that was unusual for me as I normally give that a miss. I listen to radio 3 because I like serious classical music. Weekend breakfasts are a bit excruciating though. The playlists seem somehow spiky and thrown together.
It all feels a bit desperate like they are trying to be down wiv da kids.
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Originally posted by Jozephino View PostI too have given up and switched off. I enjoyed Villeneuve in cinema Sunday but that was unusual for me as I normally give that a miss. I listen to radio 3 because I like serious classical music. Weekend breakfasts are a bit excruciating though. The playlists seem somehow spiky and thrown together.
It all feels a bit desperate like they are trying to be down wiv da kids.
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Originally posted by Jozephino View PostI too have given up and switched off. I enjoyed Villeneuve in cinema Sunday but that was unusual for me as I normally give that a miss. I listen to radio 3 because I like serious classical music. Weekend breakfasts are a bit excruciating though. The playlists seem somehow spiky and thrown together.
It all feels a bit desperate like they are trying to be down wiv da kids.
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