I've never understood the pleasure to be had in watching murder, rape, villains, police, death, injury, hospitals, courtrooms, mortuaries; especially not week in week out with the same characters....and now the current obsession with subtitled malfeasance? I am clearly unusual in finding it all rather sad. Does the attraction lie in seeing justice triumphing (maybe in the form of a hunky cop) over evil, or is there more to it than that?
Crime drama...what's the attraction anyway?
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Originally posted by ardcarp View PostI've never understood the pleasure to be had in watching murder, rape, villains, police, death, injury, hospitals, courtrooms, mortuaries; especially not week in week out with the same characters....and now the current obsession with subtitled malfeasance? I am clearly unusual in finding it all rather sad. Does the attraction lie in seeing justice triumphing (maybe in the form of a hunky cop) over evil, or is there more to it than that?It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Originally posted by ardcarp View PostI've never understood the pleasure
Plus a great vehicle for tension, guilt, character, jealousy, deceit, atmosphere, more tension, action, triumph, resolution, vindication, justice.
Apart from that, yes, a complete waste of time!
(Ask Shakespeare - he knew a thing or two about it. Just his 'perps' were kings and princes, in the manner of the times...)"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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'Twas m'learned friend who mentioned a 'waste of time'. (What isn't?) I can see that what appeals to me in a novel is generally not appealing to others, including people here. And vice versa. Sometimes what I've read seems like a waste of time, though usually I give up before ploughing through the whole thing. [A bit like when Some People Here try to educate me/us with a superb YouTube video, and I try it and creep away after a minute or two ... ] The very genres that ardcarp lists are mostly what decided me not to bother with television any more. I remember seeing a photograph in the Radio Times of David Jason being the TV detective in the latest series. And I thought, "I've seen that - many, many times."It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Anna
Well, there's crime dramas and crime dramas ..... I wouldn't turn on Midsomer Murders (although I see 5.5 million people preferred to watch the start of the new series rather than watch Wolf Hall) and I'm afraid Inspector Montalbo (sp?) was awful tosh as was Salamander, but something like The Bridge or The Killing where you have to think about things does appeal to me but if there's too much violence I just switch off - which is why I didn't bother with The Fall 2.
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The first attraction is the multiple puzzle - who has committed the crime? Why? How? and how (if at all) will the criminal be detected?
Then there is the characterization - how the characters get on with each other; what are their individual secrets and how do these contribute to the central puzzle.
And the story-telling, the actors' performances, the camera work, the structuring of the episodes.
I dislike intensely - and avoid - the prurient torture-porn of many recent series, and the semi-clad young woman running through a forest at night has become a cliché - but there are many excellent crime dramas that avoid such issues, and some frothy ones that concentrate on "the puzzle" which is fine. Like all genres, there are many different ways of working the expectations in entertaining and often profoundly moving ways.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by ferneyhoughgeliebte View Post
I dislike intensely - and avoid - the prurient torture-porn of many recent series, and the semi-clad young woman running through a forest at night has become a cliché - but there are many excellent crime dramas that avoid such issues, and some frothy ones that concentrate on "the puzzle" which is fine. Like all genres, there are many different ways of working the expectations in entertaining and often profoundly moving ways.bong ching
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... the human dramas, moral complexities, political realities, deft and intricate plots, witty and elegant writing, supreme acting of a'crime drama' series like "Spiral" put the portentous production values, over 'actorly' actors, and cloth-eared writing of such earnest tosh as "Wolf Hall" firmly in the third division...
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Originally posted by ardcarp View PostI've never understood the pleasure to be had in watching murder, rape, villains, police, death, injury, hospitals, courtrooms, mortuaries; especially not week in week out with the same characters....and now the current obsession with subtitled malfeasance? I am clearly unusual in finding it all rather sad. Does the attraction lie in seeing justice triumphing (maybe in the form of a hunky cop) over evil, or is there more to it than that?
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I can see the appeal, but I can't see the appeal of there being so much of it, and
With such serious and rather unusual crime as its subject matter.
Although I do have a theory about this....
Bring back the Sweeney, I say.....I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I am not a number, I am a free man.
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Originally posted by ferneyhoughgeliebte View PostThe first attraction is the multiple puzzle - who has committed the crime? Why? How? and how (if at all) will the criminal be detected?
Then there is the characterization - how the characters get on with each other; what are their individual secrets and how do these contribute to the central puzzle.
And the story-telling, the actors' performances, the camera work, the structuring of the episodes.
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