Maybe Hornspieler can tell us about the great Vernon Elliott ?
Nostalgic Children's TV and other themes from childhood....
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Originally posted by Pabmusic View PostI don't want to hog this thread, but…
One of my great TV/Radio influences was Steve Race. Pupil of William Alwyn at the Academy, no less. Here's his most successful piece of music:
http://www.youtube.com/watch?v=H0d5J8CvT2A
(Saucer of milk for the Geliebte household ... )[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Richard Tarleton
Used to go round to the neighbours' house to watch Champion the Wonder Horse, aged 6-7 - I see from Wiki that it ran for 26 episodes in 1956-7, in which case I must have seen most of them. Ricky lives with his uncle Sandy and his Alsatian, Rebel, with wild stallion Champion who comes when he whistles. The plots were always more or less the same - Ricky would get into a scrape, or baddies do something bad, until Ricky managed to summon Champ [sic] with a two-fingered whistle. The baddies would generally be pinned to the canyon wall by Champion's rearing hooves until the law arrived. Why the baddies never thought of just shooting the horse was never made clear
Here's the theme song, sung by Frankie Lane
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Originally posted by Richard Tarleton View PostThe plots were always more or less the same - Ricky would get into a scrape, or baddies do something bad, until Ricky managed to summon Champ [sic] with a two-fingered whistle. The baddies would generally be pinned to the canyon wall by Champion's rearing hooves until the law arrived. Why the baddies never thought of just shooting the horse was never made clear
Here's the theme song, sung by Frankie Lane
... now this chap did his own animal fighting:
[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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On a similar theme, it is common for "modernised" versions of signature tunes to be given a stronger beat. Examples include the later series of Ballykissangel and Monarch of the Glen. An interesting exception was All Creatures Great and Small. The signature tune for series 1-3 had a drummer who appeared to be less than competent, which made me wince every time I heard it. Series 4-7 (a decade later) had the same theme rearranged for a chamber group, but with no drumkit. Perhaps I wasn't alone in my disgust with the original version.
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Originally posted by Eine Alpensinfonie View PostWhat classical music are children introduced to via today's programmes?
and .......
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Richard Tarleton
Originally posted by Eine Alpensinfonie View PostWhat classical music are children introduced to via today's programmes?
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What got me hooked on classical music was Peter and his Loup and The Carnival of the Animals. Didn't everybody get hooked this way?
Meanwhile, back to The Singing Ringing Tree and The ClangersLast edited by Beef Oven!; 28-05-14, 14:04. Reason: there's no rationale to using an 'e' on the end of a word in French!!
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Originally posted by Richard Tarleton View PostUsed to go round to the neighbours' house to watch Champion the Wonder Horse, aged 6-7 - I see from Wiki that it ran for 26 episodes in 1956-7, in which case I must have seen most of them. Ricky lives with his uncle Sandy and his Alsatian, Rebel, with wild stallion Champion who comes when he whistles. The plots were always more or less the same - Ricky would get into a scrape, or baddies do something bad, until Ricky managed to summon Champ [sic] with a two-fingered whistle. The baddies would generally be pinned to the canyon wall by Champion's rearing hooves until the law arrived. Why the baddies never thought of just shooting the horse was never made clear
Here's the theme song, sung by Frankie Lane
Someone may already have said it but 'The Lone Ranger' probably introduced me to one of my first pieces of classical music...does that count?
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Those of us contributing to this thread represented the first generation to have been brought up amid the soundworld and images of television. I think that's worth thinking about. My childhood introduction to atonal music came via the very short Webern-like theme tune to a TV science series, possibly a predecessor to Tomorrow's World. It was for chamber group, I remember xylophone in the instrumentation, and it beginning with an immediately repeated 3-note motif in inversion. No doubt Liz Lutyens was the composer.
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Richard Tarleton
Originally posted by johncorrigan View PostSomeone may already have said it but 'The Lone Ranger' probably introduced me to one of my first pieces of classical music...does that count?
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