The John le Carre pre prom talk " the spy who came in ftom the cold" on monday 29 july was about an hour in length but only 20 minutes of it was played at the interval in mondays prom. Will the BBC play the whole conversation with Anne Mcelvoy and audience questions?
John le carre literary talk
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amateur51
Originally posted by ucanseetheend View PostThe John le Carre pre prom talk " the spy who came in ftom the cold" on monday 29 july was about an hour in length but only 20 minutes of it was played at the interval in mondays prom. Will the BBC play the whole conversation with Anne Mcelvoy and audience questions?
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With the technology today it would be simple to put the whole talk online,instead the BBC loves to condense everything(as they do with all the proms literary talks) Maybe it's all about finding things to do for all the editors,producers etcLast edited by ucanseetheend; 31-07-13, 10:30."Perfection is not attainable,but if we chase perfection we can catch excellence"
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Originally posted by ucanseetheend View PostThe John le Carre pre prom talk " the spy who came in ftom the cold" on monday 29 july was about an hour in length but only 20 minutes of it was played at the interval in mondays prom. Will the BBC play the whole conversation with Anne Mcelvoy and audience questions?
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Le Carre does often re-visit familiar territory, but he does a very good job and I have enjoyed all but one of the novels I have read. The exception was 'The Naive and Sentimental Lover', which was outside his usual subject area and I didnt think it worked.
One that isnt so much a spy story as a detective story, and which I thought worked very well, was 'A Small Town in Germany': it involves digging up the wartime past and is very gripping and has some disturbing episodes.
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Originally posted by richardfinegold View PostIf Vivaldi can be accused of writing the same Concerto 500 times, surely Le Carre must be guilty of writing the same novel 20 times over.
I was present at this talk and greatly enjoyed it. Le Carre was in top form and he was most generous with his time afterwards in signing books and chatting to all and sundry."The sound is the handwriting of the conductor" - Bernard Haitink
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Originally posted by DracoM View PostExcept that McElvoy's pushy and ill-informed intro made my heart sink, as did a number of her early 'questions'.
Le Carre made many very relevant points re recent whistleblowers and US policy towards them.
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Originally posted by Petrushka View PostHave you read them? If you had then you would know that this statement simply isn't true.
I was present at this talk and greatly enjoyed it. Le Carre was in top form and he was most generous with his time afterwards in signing books and chatting to all and sundry.
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Richard Tarleton
Originally posted by richardfinegold View PostI may not have read the last half dozen or so, because after the Tinker series, I thought he had said everything that he had to say, but was repeating himself endlessly. It is tiresome when Authors that have made their point feel compelled to bottle old wine in new bottles. All his books seem to deal with betrayal and moral ambiguity, where the putatitve heroes have lost any confidence in their moral purpose and feel more at home with their supposed enemies. It was painful to watch him try this with the Israeli/Palestinian conflict and the Russian Mafia. He must have really cried in his beer when the cold war ended, because that made him an outdated Cassandra.
You mention the " the last half dozen or so" - did you get as far as "The Tailor of Panama", an affectionate homage to Graham Greene as well as a great yarn? I happen to think he did hit a thin patch - "The Secret Pilgrim" was a bit of a pot boiler, "The Night Manager" and "Our Game" both oddities in their ways, but since then he's been back on top form, IMV. Actually I thought "The Little Drummer Girl", his first outing post-Smiley, was brilliant, and I enjoyed his description of his encounters with Arafat and the PLO in his recent conversation with Philippe Sands at the Hay Festival.
The autobiographical flawed father-son relationships have probably been taken to the limit (A Perfect Spy, Single and Single) - is A Perect Spy what you were referring to here? (Probably also applies to "Absolute Friends")
where the putatitve heroes have lost any confidence in their moral purpose and feel more at home with their supposed enemies.
Like Petrushka I've had the pleasure of meeting him, in my case about 48 years ago (between "The Looking Glass War" and "A Small Town in Germany", to be exact ) and in his many interviews have always found him a most compelling thinker and raconteur.
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This interview of le Carré by Mark Lawson was shown again the other night on BBC (originally recorded in 2008 I think):
It should be available on iplayer for another few days for those who didn't catch it and would like to. I thought it a very good interview, reminiscent in some ways of the best of the old Face to Face interviews. Le Carré talked eloquently about his life and work, with reflections also on the intelligence services and foreign relations. It would be interesting to hear a follow-up in the light of the NSA/Snowden revelations.
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