Not on Radio 3 - Bloomsday

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  • Lateralthinking1

    #46
    Originally posted by french frank View Post
    The one thing I enjoyed particularly about the old BBC messageboards was the Arts & Ideas board where we could dissect a play, talk about the qualities of the drama, of the performances, of the production.........even a poor production could stimulate analysis and discussion, fill gaps in our knowledge.
    ff - I wonder if there is less of that now because of the content of today's programmes or whether we lost several people with interests in speech programmes in the move from the BBC message boards to FoR3. Something has happened!

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    • french frank
      Administrator/Moderator
      • Feb 2007
      • 30537

      #47
      Originally posted by Lateralthinking1 View Post
      ff - I wonder if there is less of that now because of the content of today's programmes or whether we lost several people with interests in speech programmes in the move from the BBC message boards to FoR3. Something has happened!
      I can't identify any particularly enthusiastic member who didn't follow us to this forum. But whereas I used to post the new Do3 regularly, I don't now because I've lost interest. What seems like months on end of largely repeats, plus synopses that sound uninspiring - the result is that I don't even remember to check so when there is something interesting, I miss it
      It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.

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      • aeolium
        Full Member
        • Nov 2010
        • 3992

        #48
        What seems like months on end of largely repeats, plus synopses that sound uninspiring - the result is that I don't even remember to check so when there is something interesting, I miss it
        That's my feeling, too - it seems quite rare that a new production is mounted these days. I wouldn't mind it if the repeats were of classic archive productions (like the Havel Largo Desolato recently) but it really seems pointless to repeat something that was broadcast a few months ago. I shall try to catch up with the Pownall Tennyson and Edison play on tomorrow (I wonder if it will feature the famous recording of The Charge of the Light Brigade which Edison was involved in).

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        • Russ

          #49
          Originally posted by french frank View Post
          Except that there's no mention at all about what is planned for 'the cultural network'. This explains why Radio 3's budget has been pared away - it won't need as much money when it's not producing high quality speech programmes. What do we get instead?
          Radio drama, probably the most expensive form of speech radio, is approx 24k/hour. R3's approx 6p per listener hour for say 2m listeners averages at £120k/hour. So why does R3 think it can't produce high quality speech programmes?

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          • amateur51

            #50
            Originally posted by Russ View Post
            Radio drama, probably the most expensive form of speech radio, is approx 24k/hour. R3's approx 6p per listener hour for say 2m listeners averages at £120k/hour. So why does R3 think it can't produce high quality speech programmes?
            Nifty figuring, Russ - many thanks!

            Now that they know that we know ....

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            • french frank
              Administrator/Moderator
              • Feb 2007
              • 30537

              #51
              Originally posted by Russ View Post
              Radio drama, probably the most expensive form of speech radio, is approx 24k/hour. R3's approx 6p per listener hour for say 2m listeners averages at £120k/hour. So why does R3 think it can't produce high quality speech programmes?
              Depends how the beancounters calculate their figures.

              The Radio 3 audience for drama hovers at about 100,000 pw (or less). A Radio 4 afternoon drama (according to The Guardian story) gets a million - and R4's budget is two and a half times Radio 3's.

              I would make a distinction between the R4 plans and what R3 could focus on: 'a narrative history of European detectives' would be generally appealing to an R4 audience, so it's right that it should be there; like 'plans to dramatise ten Martin Beck crime novels'. These aren't the kind of cultural/drama projects that you would expect from R3 simply because they will get a bigger audience/percentage of the audience on R4. 'People' (i.e. like me ) look to R3 for something more esoteric, which is not to make quality judgements between the two. But if R3-type drama doesn't go down well on R4, it would be dropped. On R3 there is no expectation of a big audience.


              My own calculations - based on the only information that seems to be available - suggest that R3's budget has been decimated, whereas R4's has been largely protected.
              It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.

              Comment

              • amateur51

                #52
                Originally posted by french frank View Post
                My own calculations - based on the only information that seems to be available - suggest that R3's budget has been decimated, whereas R4's has been largely protected.
                Interesting insights, french frank.

                Is that literally decimated, or figuratively?

                Comment

                • french frank
                  Administrator/Moderator
                  • Feb 2007
                  • 30537

                  #53
                  Originally posted by amateur51 View Post
                  Interesting insights, french frank.

                  Is that literally decimated, or figuratively?
                  Well, it's only a rough calculation, but closer to literally () than to figuratively if you make allowances for inflation.

                  [I.e. its purchasing power reduced by 10%, or, more loosely, by A Lot]
                  It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.

                  Comment

                  • Anna

                    #54
                    Can I post this, one of my favourites, a site dedicated to illustrating Ulysses with period illustrations

                    Comment

                    • Serial_Apologist
                      Full Member
                      • Dec 2010
                      • 37887

                      #55
                      Originally posted by Anna View Post
                      Can I post this, one of my favourites, a site dedicated to illustrating Ulysses with period illustrations
                      http://www.joyceimages.com/chapter/1/
                      Lovely. Thanks for these, Anna

                      Comment

                      • Anna

                        #56
                        Originally posted by Serial_Apologist View Post
                        Lovely. Thanks for these, Anna
                        I have dipped in and out for years, I love it that you, and others, may love it

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                        • Lateralthinking1

                          #57
                          Originally posted by Anna View Post
                          Can I post this, one of my favourites, a site dedicated to illustrating Ulysses with period illustrations
                          http://www.joyceimages.com/chapter/1/
                          A fascinating website Anna - many thanks.

                          Comment

                          • austin

                            #58


                            A dedicated site now here (above)

                            Comment

                            • DublinJimbo
                              Full Member
                              • Nov 2011
                              • 1222

                              #59
                              I'm really looking forward to this, and admire Radio 4's initiative. I won't be able to listen that much during the actual day, but I see a note on the site that the whole thing will be available to download for seven days after the event. That sounds good, even if I do set up timed recording on my Mac.

                              Comment

                              • Bryn
                                Banned
                                • Mar 2007
                                • 24688

                                #60
                                My 3 128kbps mp3 CDs of the RTE's 1982 29 hour 45 minutes production was on the doormat when I got home today. Somewhat knocks the BBC Radio 4 effort to be offered next Saturday in to a cocked hat, what?

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