Just listened properly to the Fifties section - my growing up era - and am slightly dissatisfied with how the music and historical sound-bites related: not a neat fit
R3 Soundscapes from [Soundscape of a Century]
Collapse
X
-
Originally posted by kernelbogey View PostJust listened properly to the Fifties section - my growing up era - and am slightly dissatisfied with how the music and historical sound-bites related: not a neat fit
Comment
-
-
Originally posted by kernelbogey View PostJust listened properly to the Fifties section - my growing up era - and am slightly dissatisfied with how the music and historical sound-bites related: not a neat fit
I’ve listened to the first two or three - yes, connections varied between the directly relevant and the generally proximate in terms of chronology and mood… I was happy to take them as impressionistic patchworks and enjoyed them on that level (with a bit of ‘guess the piece’ thrown in for unfamiliar music).
Oh and don’t forget, it was “specially curated”…"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
Comment
-
-
Originally posted by Bryn View PostOr wait until after the broadcast, then pick and choose from BBC Sounds when, hopefully, details will have been posted.
I must say I gave up during the 80s (the “Soundscapes” that is, not generally )… Too much of the music consisted of pieces I’ve spent much of the last few decades trying to avoid (sorrowful Gorecki etc etc), and the playlists for the following programmes suggested more of the same
Some of the juxtapositions in earlier decades were interesting. Hardly life-changing stuff though."...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
Comment
-
-
Originally posted by Nick Armstrong View Post
I’ve listened to the first two or three - yes, connections varied between the directly relevant and the generally proximate in terms of chronology and mood… I was happy to take them as impressionistic patchworks and enjoyed them on that level (with a bit of ‘guess the piece’ thrown in for unfamiliar music).
Oh and don’t forget, it was “specially curated”…
It is hard to see how it can be done well, or to anybody’s satisfaction, really.
Best not to bother but it keeps folks in work I suppose.I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I am not a number, I am a free man.
Comment
-
Comment