A comment by Richard Tarleton on the Mozart in London Thread got me idly pondering:
I had a quick Google about other factual/documentary presenters who have regularly worked for the BBC, and discovered the following:
Mary Beard
Professor of Classics at the University of Cambridge, a fellow of Newnham College, and Royal Academy of Arts Professor of ancient literature.
14 publications since 1985
Simon Schama
Professor of History and Art History at Columbia University
17 publications since 1977
Alice Roberts
Professor of Public Engagement in Science at the University of Birmingham
7 publications since 2004
Helen Czerski
Research Fellow in the department of mechanical engineering at University College London
Brian Cox
Advanced Fellow of particle physics in the School of Physics and Astronomy at the University of Manchester, does research at CERN.
6 publications since 2009
and the best Hannibal Lecter on film
Jim Al-Khalili
Professor of Theoretical Physics and Chair in the Public Engagement in Science at the University of Surrey.
Author/contributer to 14 publications since 1999.
Marcus De Sautoy
Simonyi Professor for the Public Understanding of Science and a Professor of Mathematics at the University of Oxford. Formerly a Fellow of All Souls College, and Wadham College, he is now a Fellow of New College.[6] He was previously President of the Mathematical Association, an EPSRC Senior Media Fellow and a Royal Society University Research Fellow.
4 publications since 2003
Kate Williams
Professor of History at the University of Reading
4 publications since 2005
Andrew Graham-Dixon
chief art critic of The Sunday Telegraph
8 publications since 1994
Matthew Collings
Professional Artist,
9 publications since 1997
Waldemar Januszczak
art critic for The Sunday Times
Suzanna Lipscombe
Head of Faculty and a Senior Lecturer in Early Modern History at the New College of the Humanities
5 publications since 2009
Robert Bartlett
Wardlaw Professor of Mediaeval History at the University of St Andrews.
12 publications since 1987
Gabriel Weston, Chris and Xand van Tulleken, Saleyha Ahsan
practising surgeons
David Starkey
22 publications since 1985
Bettany Hughes
Research Fellow of King's College London, (as well as tutor for Cambridge University's Institute of Continuing Education, Honorary Fellow of Cardiff University, recipient of an Honorary Doctorate from the University of York).
2 publications since 2005
("publications" here referring to books specifically authored by these presenters intended for general public reading - and does not include several articles and contributions to more specialist journals. Some, of course, have arisen from the television work they have done, but their first publications appeared before their first TV appearances.)
What this demonstrates is that for many documentary programmes, the BBC regularly employs academics with proven ability to communicate complex ideas to a general public (Helen Czeski's recent programme on Bubbles was exemplary in this respect).
Who are their equivalents as presenters of Music documentaries? There's David Owen-Norris (professor at the Royals College and Academy and Southampton Uni) - who has presented (AFAIK) one programme on his own - and Tom Service (calm down, Cali, for goddness' sake) - the academic equivalent of, say, Andrew Garaham-Dixon (PhD student, Music Critic/columnist for newspaper).
More regularly, R3 presenters are used - Suzi Klein, C B-H for example - or non-specialists as in the Ian Hislop Beethoven 5. Often, these are entertaining and informative (in spite of regular factual inaccuracies that someone more used to presenting educative material would avoid) - but why is Music so differentiated? Why aren't people like Marina Frolova-Walker, or Julian Johnson (or even Stephen no-relation) or any of the Music Academics at UK universities asked to present detailed, accurate programmes, the intellectual equivalent of other subject?
[Lucy Worsley] is a considerable expert on the period in her own right after all, a senior research fellow, visiting professor, etc. etc.
Mary Beard
Professor of Classics at the University of Cambridge, a fellow of Newnham College, and Royal Academy of Arts Professor of ancient literature.
14 publications since 1985
Simon Schama
Professor of History and Art History at Columbia University
17 publications since 1977
Alice Roberts
Professor of Public Engagement in Science at the University of Birmingham
7 publications since 2004
Helen Czerski
Research Fellow in the department of mechanical engineering at University College London
Brian Cox
Advanced Fellow of particle physics in the School of Physics and Astronomy at the University of Manchester, does research at CERN.
6 publications since 2009
and the best Hannibal Lecter on film
Jim Al-Khalili
Professor of Theoretical Physics and Chair in the Public Engagement in Science at the University of Surrey.
Author/contributer to 14 publications since 1999.
Marcus De Sautoy
Simonyi Professor for the Public Understanding of Science and a Professor of Mathematics at the University of Oxford. Formerly a Fellow of All Souls College, and Wadham College, he is now a Fellow of New College.[6] He was previously President of the Mathematical Association, an EPSRC Senior Media Fellow and a Royal Society University Research Fellow.
4 publications since 2003
Kate Williams
Professor of History at the University of Reading
4 publications since 2005
Andrew Graham-Dixon
chief art critic of The Sunday Telegraph
8 publications since 1994
Matthew Collings
Professional Artist,
9 publications since 1997
Waldemar Januszczak
art critic for The Sunday Times
Suzanna Lipscombe
Head of Faculty and a Senior Lecturer in Early Modern History at the New College of the Humanities
5 publications since 2009
Robert Bartlett
Wardlaw Professor of Mediaeval History at the University of St Andrews.
12 publications since 1987
Gabriel Weston, Chris and Xand van Tulleken, Saleyha Ahsan
practising surgeons
David Starkey
22 publications since 1985
Bettany Hughes
Research Fellow of King's College London, (as well as tutor for Cambridge University's Institute of Continuing Education, Honorary Fellow of Cardiff University, recipient of an Honorary Doctorate from the University of York).
2 publications since 2005
("publications" here referring to books specifically authored by these presenters intended for general public reading - and does not include several articles and contributions to more specialist journals. Some, of course, have arisen from the television work they have done, but their first publications appeared before their first TV appearances.)
What this demonstrates is that for many documentary programmes, the BBC regularly employs academics with proven ability to communicate complex ideas to a general public (Helen Czeski's recent programme on Bubbles was exemplary in this respect).
Who are their equivalents as presenters of Music documentaries? There's David Owen-Norris (professor at the Royals College and Academy and Southampton Uni) - who has presented (AFAIK) one programme on his own - and Tom Service (calm down, Cali, for goddness' sake) - the academic equivalent of, say, Andrew Garaham-Dixon (PhD student, Music Critic/columnist for newspaper).
More regularly, R3 presenters are used - Suzi Klein, C B-H for example - or non-specialists as in the Ian Hislop Beethoven 5. Often, these are entertaining and informative (in spite of regular factual inaccuracies that someone more used to presenting educative material would avoid) - but why is Music so differentiated? Why aren't people like Marina Frolova-Walker, or Julian Johnson (or even Stephen no-relation) or any of the Music Academics at UK universities asked to present detailed, accurate programmes, the intellectual equivalent of other subject?
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