Radio 3 schedule changes (‘edging away from speech')

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  • oddoneout
    Full Member
    • Nov 2015
    • 9268

    Originally posted by Nick Armstrong View Post

    And the phrases which ring true with me:

    Who is this new Radio 3 for? Not eager listeners who want to broaden their horizons, I reckon, but box tickers behind the scenes, keen to poach the Classic FM or Scala crowds who are already well served.​

    &


    It’s maddening. Controllers should treat music as a skyrocket to new places, not a sedative.​

    The question of who this is all for, and the answer, is what we've been saying in these parts for a long time?
    Last edited by oddoneout; 06-04-24, 17:02. Reason: misplaced comma.

    Comment

    • Roger Webb
      Full Member
      • Feb 2024
      • 753

      Originally posted by Ein Heldenleben View Post

      Of course it was ! oh dear…
      . Was Zeppo the good looking normal one who wore a suit and could sing?
      Chico wore the funny hat . Had the comedy Italian accent as in Hack ina bush?
      “But there ain’t no sanity Claus.”,
      To be fair Lang Lang is a very good pianist . He’s just tremendously annoying.
      Yes, all correct! Zeppo wasn't in all the films, which is why he's not so well known - plus his 'normality' worked against him.

      I only know of Chico as my own 'one finger technique' was gleaned from his! Did you know Chico had such a poor left-hand that it was faked when filming him....much like mine also!

      Comment

      • french frank
        Administrator/Moderator
        • Feb 2007
        • 30448

        Originally posted by oddoneout View Post

        The question of who this is all for, and the answer, is what we've been saying in these parts for a long time?
        It's the constant bewildering strategy of aiming so much of the content at a mass(ish) audience which isn't listening, in the hope that they will. FNIMN might be the more cunning (if questionable) wheeze of keeping the same name, time slot and day as it had on R2. More easily recognised by the bereaved of R2 and thus easily accessed. Especially if it's talked about a lot in the press.
        It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.

        Comment

        • Nick Armstrong
          Host
          • Nov 2010
          • 26569

          Originally posted by oddoneout View Post

          The question of who this is all for, and the answer, is what we've been saying in these parts for a long time?
          Quite…
          "...the isle is full of noises,
          Sounds and sweet airs, that give delight and hurt not.
          Sometimes a thousand twangling instruments
          Will hum about mine ears, and sometime voices..."

          Comment

          • kernelbogey
            Full Member
            • Nov 2010
            • 5801

            I liked this, in Jude Rogers's piece in the Guardian.
            Radio 3’s spring rebrand, by new controller Sam Jackson, is oddly backwards-looking, its tone mollifying, wallpapery, posh; a kind of mood music for perusing private school prospectuses in one’s second home.

            Edit: Oops - Frenchie already quoted that, above, but I'll leave it in place because it's so witty.

            Comment

            • french frank
              Administrator/Moderator
              • Feb 2007
              • 30448

              Originally posted by kernelbogey View Post
              I liked this, in Jude Rogers's piece in the Guardian.
              Radio 3’s spring rebrand, by new controller Sam Jackson, is oddly backwards-looking, its tone mollifying, wallpapery, posh; a kind of mood music for perusing private school prospectuses in one’s second home.

              Edit: Oops - Frenchie already quoted that, above, but I'll leave it in place because it's so witty.
              And you picked out the identical sentence! LMcD's flagged up the piece somewhere as well.
              It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.

              Comment

              • Serial_Apologist
                Full Member
                • Dec 2010
                • 37812

                Originally posted by kernelbogey View Post
                I liked this, in Jude Rogers's piece in the Guardian.
                Radio 3’s spring rebrand, by new controller Sam Jackson, is oddly backwards-looking, its tone mollifying, wallpapery, posh; a kind of mood music for perusing private school prospectuses in one’s second home.

                Edit: Oops - Frenchie already quoted that, above, but I'll leave it in place because it's so witty.
                In other words encouraging the very opposite of the attention gripping experience I had on first hearing one of the Bach solo cello suites while at a friend's house.

                Comment

                • DracoM
                  Host
                  • Mar 2007
                  • 12986

                  Precisely: timing of the 'new' [ahem] schedule is likely to drive me away. Esp if NIIGHT TRACKs gets duffed by non-stop Jazz. Crikey!

                  Comment

                  • AuntDaisy
                    Host
                    • Jun 2018
                    • 1751

                    The latest episode of "Roger Bolton's Beeb Watch", "Sir Richard Eyre, theatre and film director and former BBC Governor on radio drama cuts and the BBC's cultural remit", includes frank discussion of drama extinction on R3...

                    Listen to Sir Richard Eyre, theatre and film director and former BBC Governor on radio drama cuts and the BBC's cultural remit from Roger Bolton's Beeb Watch. Sir Richard Eyre, the renowned theatre and film director, who has served as a BBC Governor, shares his concerns over the cuts to radio drama programming, the broader challenges facing the BBC's cultural remit, the tensions between the BBC's public service mission and commercial pressures, and role of the BBC in nurturing and sustaining the UK's cultural landscape. "I would say the BBC is the most important cultural organisation in the world, and the Director-General of the BBC should be standing up, saying that, and putting his heart and soul and practical application into making sure that the BBC lived up to that proclamation. Well, they don’t, and they’ve pitifully ignored the arts. They've cut the arts department in television, and now, they're cutting drama on in radio." Listen to all our episodes here: https://podfollow.com/beebwatch/view To support our journalism and receive a weekly blog sign up now for £1.99 per month (NB we only charge for one creation per month): www.patreon.com/BeebWatch/membership Or if you'd rather make a one-off payment (which doesn’t entitle you to the blog) please use our crowdfunding page:https://www.crowdfunder.co.uk/p/roger-boltons-beeb-watch-podcast @BeebRogerInstagram: rogerboltonsbeebwatchLinkedIn: Roger Bolton's Beeb Watchemail: roger@rogerboltonsbeebwatch.comwww.goodeggproductions.uk 

                    Comment

                    • Frances_iom
                      Full Member
                      • Mar 2007
                      • 2415

                      why are all the majority of these discussions packed as a podcast - wastes significant amount of time as compared to a printed text and IMO seldom if ever adds anything that a written document couldn't do better.

                      Comment

                      • AuntDaisy
                        Host
                        • Jun 2018
                        • 1751

                        Originally posted by Frances_iom View Post
                        why are all the majority of these discussions packed as a podcast - wastes significant amount of time as compared to a printed text and IMO seldom if ever adds anything that a written document couldn't do better.
                        If you mean "Roger Bolton's Beeb Watch", then it's his version of Feedback - because Auntie, in her infinite wisdom, decided to boot out someone who actual asked sensible, probing questions.
                        It was a treat to hear Richard Eyre, but, I'd agree a transcript / text version would be useful & possibly faster to scan.

                        N.B. I don't usually listen to Podcasts, but a Radio drama friend pointed this one out.

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