er nope to that one MrGongGong but yes to this exhibition space in LA which shows exactly the plain unobtrusive yet revealing quality
Alan Davey, new controller, R3
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It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Richard Tarleton
I thought that sounded an excellent idea. Bit worried about presenters being given more time to talk about the music, if it's the present bunch that is. The idea of KD, CBH etc having more to say worrying, and RC talks quite enough already.....
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Originally posted by french frank View PostBBC News online has led on his plan to 'recreate' Pied Piper in covering the Appleyard article.
http://www.bbc.co.uk/news/entertainment-arts-32188580
But I do feel he is a little confused?
"It's not classical music, but it's not pop music, either. The step into classical music would be quite easy for them if they were to encounter it in the right way."
Well, knock me down with a feather
Good idea though
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Originally posted by aka Calum Da Jazbo View Poster nope to that one MrGongGong but yes to this exhibition space in LA which shows exactly the plain unobtrusive yet revealing quality
It's interesting that the Rothko's in the Tate were originally made for the Four Seasons restaurant, hardly a neutral space?
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Originally posted by MrGongGong View PostYou mean to say that there are more than TWO forms of music?
Well, knock me down with a feather
Good idea though
The great difference between Pied Piper and RW's Making Tracks was the great difference between David Munrow and Blue Peter/CBBC presenters - once more trying to hook in the listeners with 'appropriate' presenters rather than musically qualified ones.
All in my opinion, of courseIt isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Originally posted by french frank View PostThe great difference between Pied Piper and RW's Making Tracks was the great difference between David Munrow and Blue Peter/CBBC presenters - once more trying to hook in the listeners with 'appropriate' presenters rather than musically qualified ones.
All in my opinion, of course
Though when I hear David Munrow I'm always reminded of this
GO ON, turn up the subs and give it a spin
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Originally posted by MrGongGong View PostGO ON, turn up the subs and give it a spinIt isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Wallace
Originally posted by french frank View PostWe've sent in the details of what a range of listeners are saying with our Survey (part I) [pdf].
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Alan Davey is the subject of The James Naughtie Interview in May's BBC Music Magazine.
He's thinking of Monday nights as a stage for European orchestras (apparently opera went there as it's a quiet night for live orchestral performances; I thought that it was so they could edit Pinky and Perky out of the Met broadcasts!), with opera sitting more happily at the weekend.
Also mention of a Pied Piper type programme and other aspects already covered above.
Fingers crossed: he does sound quite a good person to have as controller of Radio 3.
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Originally posted by Pulcinella View PostAlan Davey is the subject of The James Naughtie Interview in May's BBC Music Magazine.
I feel he's now beginning to lay out his stall, and it's sounding quite encouraging. After Nicholas Kenyon, and then Roger Wright, steaming down the same trail hot in pursuit of Classic FM, I would think he'd prefer to put his mark on the service with some ideas of his own. They do seem to be interesting ones :-): I can't believe he'll allow the detritus to remain!It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Honoured Guest
Originally posted by Pulcinella View PostAlan Davey is the subject of The James Naughtie Interview in May's BBC Music Magazine.
He's thinking of Monday nights as a stage for European orchestras (apparently opera went there as it's a quiet night for live orchestral performancesFingers crossed: he does sound quite a good person to have as controller of Radio 3.
I guess the next move will be to cut Sunday's Live in Concert, move Drama on 3 to a mid-evening slot, and play more BBC Performing Group Afternoon on 3 sessions later on Sundays, after the Drama.
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Originally posted by Honoured Guest View PostIn other words, cut Saturday's Live in Concert, disrupt the Saturday Jazz, move Opera back to Saturday from Monday, and play some cheap EBU feed in the Monday 7.30 to 10.00 slot (in addition to the regular Through the Night and Afternoon on 3 slots).
I guess the next move will be to cut Sunday's Live in Concert, move Drama on 3 to a mid-evening slot, and play more BBC Performing Group Afternoon on 3 sessions later on Sundays, after the Drama.
According to Bryan Appleyard, the Saturday opera will be from the ROH, not the Met, so the issues with the timing of New York's matinee performance won't arise. There won't be that many starts much before 7.30. Really, I don't think things are going to be QUITE as bad as you think they'll be.
(Cheap EBU feed on Mondays? Where did you get that from?)It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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