I've been looking up next week's Sunday Feature presenter on the Baroque, Prof Tim Blanning - an historian. Does anyone know this book? It has plenty of reviews - and its title and conclusions may be disputed ("triumphalist?", yet it seems to have some interesting things to say.
I rather like the notion of the 'exclusivity' of classical music and performers in the 18th c., as represented by Mozart, hired hand and pauper, as compared with the people's composer of today, Sir Elton John, millionaire friend of royalty.
I think it's more social history than musical, hence in the ideas section.
I rather like the notion of the 'exclusivity' of classical music and performers in the 18th c., as represented by Mozart, hired hand and pauper, as compared with the people's composer of today, Sir Elton John, millionaire friend of royalty.
I think it's more social history than musical, hence in the ideas section.
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