Axing of BBC Singers and related cuts
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Originally posted by Pulcinella View PostA broader view in an article by Waldemar Januszczak in today's Sunday Times:
Another week, another cock-up. Who needs the Keystone Kops when you’ve got the BBC? Even by Auntie’s declining standards it’s been a bad fortnight. No sooner ha
For some reason, I can't post a link to the column about JEG, but there's nothing new in that.
Unfortunately this article paints a black and white picture of the BBCS.
“Global top”? I don’t think so; but doubts that many of us have had about some of the group’s performances does not in any way justify its demise. Anyway, I doubt whether the pen-pushers ever considered musical qualities at all.
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Originally posted by Eine Alpensinfonie View PostUnfortunately this article paints a black and white picture of the BBCS.
“Global top”? I don’t think so; but doubts that many of us have had about some of the group’s performances does not in any way justify its demise. Anyway, I doubt whether the pen-pushers ever considered musical qualities at all.
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There are 20 BBC Singers and they cost less than one Gary Lineker. Unlike Lineker, they have broken no rules, but the BBC want to close them down. They have worked in a cave in Maida Vale for a hundred years and it is quite possible that top BBC executives, much too busy to listen
Support from an unlikely source ……. Excuse the other jingoism if it’s not to your taste
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Originally posted by antongould View Posthttps://www.spectator.co.uk/article/...g-bbc-singers/
Support from an unlikely source ……. Excuse the other jingoism if it’s not to your taste
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Originally posted by antongould View Posthttps://www.spectator.co.uk/article/...g-bbc-singers/
Support from an unlikely source ……. Excuse the other jingoism if it’s not to your taste
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I’m fed up hearing very well paid classical stars suggesting the BBC is abandoning classical music . It’s just not true
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As a young music student 30 odd years ago, I’d always entertained a very private ambition that I would be invited to play in the orchestra for the coronation that would anoint Prince Charles to King. Of course, it was extremely unlikely to happen but I do wonder that, had I been chosen, I’d now be contemplating withdrawing my services in protest re the BBC singers. Would I also be petitioning colleagues to do the same?
Imagine the Coronation without music!
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I’m fed up hearing very well paid classical stars suggesting the BBC is abandoning classical music . It’s just not true
Originally posted by ardcarp View PostMaybe they haven't 'abandoned' classical music, but there is an almost universal storm of anger among professional musicians about the direction the BBC is taking. Most music-lovers agree with them.
Originally posted by pastoralguy View PostI’d now be contemplating withdrawing my services in protest re the BBC singers. Would I also be petitioning colleagues to do the same?It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Originally posted by ardcarp View PostMaybe they haven't 'abandoned' classical music, but there is an almost universal storm of anger among professional musicians about the direction the BBC is taking. Most music-lovers agree with them.
Where were all those now complaining during the summer when Prom audiences were well down on previous years? And it’s not just BBC concerts - a recent superb concert conducted by Edward Gardner at the RFH played to a closed balcony. If classical music audiences don’t support live music making can we be surprised when the taxpayer is reluctant to?
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The BBC, from Reithian days, is there to sponsor music and performances that no commercial organisation would contemplate. The axing of the Singers, who do much work in education and supporting new music, is such an ill thought-out project accompanied by Birt speak. Going for freelance orchestral musicians denies security and rights of employment that is worthy of Uber. Because the BBC is the biggest employer of orchestral musicians in the UK means we should expect better.
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Originally posted by Ein Heldenleben View PostWhere were all those now complaining during the summer when Prom audiences were well down on previous years? And it’s not just BBC concerts - a recent superb concert conducted by Edward Gardner at the RFH played to a closed balcony. If classical music audiences don’t support live music making can we be surprised when the taxpayer is reluctant to?
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Originally posted by jonfan View PostWhere the audiences well down? The concerts I went to were sold out. People were glad to be back in the Hall after lockdown.The BBC is supported by licence fee payers (and what amazing value it is) so it’s not a tax.
I guess the point I’m trying to make (as somebody who pre lockdown was spending several thousand pounds a year on live opera and classical music performances involving very often a 500 mile round trip ) is that it’s a shame that many of those * quick to condemn the BBC for these cuts don’t do slightly more themselves to support live music.
I would agree with you about the value of the licence fee. In the interests of disclosure I am not unbiased as I worked there for decades. In the interests of balance I can also reveal that’s there’s plenty of room to save money in that organisation but you wouldn’t believe the obstacles that are put in your way when you try to do so. My first port of call would be TV drama commissions and to ask the simple question : why do the Scandinavians produce it for about 20 to 30 per cent less per hour than we do? ( one hour of mid range tv drama would pay for the BBC singers for a year). I guess all those fiords have cheaper location fees.
And as for natural history films - 320 filming days for each episode of Wild Isles?
* “those “ - people in general ie not necessarily on this forum .
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Originally posted by Ein Heldenleben View PostAnd as for natural history films - 320 filming days for each episode of Wild Isles?
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