How Britain killed off its musical tribes?
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Or as one commenter said:
"The reason Teddy Boys (50s) and Punk (70s) gained so much attention was because there was nothing else youth-driven for the kids to get behind!"
Popular music seems to have become so fragmented that the tribes are too small to be noticed. Perhaps?It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Originally posted by Serial_Apologist View Post
And apart from Maiden and one or two Yank bands I didn’t like the music much.
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....nobody got any money ....all the drafty drill halls and decaying municipal gazebo's all now full of rusty nails and rotten floors....unavailable due health and safety gone mad....ah the days of flopping down on a huge pile of punks black clothing decarded in the glee of ad hoc mosh pit of fighting action and friendly pushing.....Dah young folk today want to be to clean....all bloody taking up crochet stitching....can't even make coffee without a complicated machine....you can't go to a local sports centre and get a coffee on a saturday afternoon these days....ee days were you could measure how good a time you'd had by the sweat on the walls making Art as it ran down thro the layers of dust....ee you haven't lived - if all the carry on hadn't been carried out empty....(the problem came when trying to reclaim your black clothing amongst so much other black sub fusc detris in places with little direct light)....I don't think we ever saw a saxephone and most of the music sounded like drum kits being thrown down stairs....bong ching
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Originally posted by eighthobstruction View Postyou can't go to a local sports centre and get a coffee on a saturday afternoon these daysIt isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Originally posted by french frank View Post
You criticising me?bong ching
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Well, getting back to the subject, the idea that Britain 'killed off' its musical tribes gives the impression that something valuable has been lost. Has it?It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Originally posted by smittims View PostMaybe the absence of a public movement identified with a specific music genre is due to the same social change which has seen pubs and clubs close throughout Britain. It's easier to stay at home and do it on the internet.It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Originally posted by smittims View PostMaybe the absence of a public movement identified with a specific music genre is due to the same social change which has seen pubs and clubs close throughout Britain. It's easier to stay at home and do it on the internet.
THis popped up several times lately on different platforms that I use https://www.youtube.com/watch?v=ZZ-k19yVmqIbong ching
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....also .....just quick thought (not thought about the concept much)....those mass movements were mostly 'white'....maybe multiculturalism plays a part....most music seems to be about entertainments like dancing/raving [and the govt created AoP's to control mass congregation....]....bong ching
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Originally posted by eighthobstruction View Post
....and it leads to keyboards being the the main vehicle....with help from digital percussion.....it leads to the formulaic production of tunes/songs ( many tunes are just the pumping of a limited number of chords without decoration) Singing is changed too, voices are limited/pulled back to the level of speaking ....also the influence of Gaming Music
THis popped up several times lately on different platforms that I use https://www.youtube.com/watch?v=ZZ-k19yVmqI
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'decommissioned public uprights...'
You've reminded me of an incident at Piccadilly Station which might be relevant here. Forsyths had set up a piano on the concourse for people to play. A large man sat there and banged out relentless boogie-woogie music for some time , before he was approached by two police officers and led away. Several bystanders felt this was unfair and a woman next to me protested. I thought it best to remind her 'This is Manchester; they do things differently here.'
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Originally posted by Serial_Apologist View Post
It's the four chord one-four-five-one blues formula turned into a predictable boring cadence but without the flattened intervals that could "threaten" chromatic de-stabilization of the everything's all right in the end signifier, re-inforcing what I said some time ago about pop music producing the most stuck harmonic idiom since feudal times that really gets to me. I'm sure a lot of those now decommissioned public uprights got worn out beyond repair as a consequence of discriminative selective key hyper-exploitation. For any classically qualified pianist to be teaching this must surely be tantamount to cultural pimping?
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