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Mozart. Divertimento. K. 131 and Cassation. K. 99.
ASMF under Sir Neville Marriner.
I don't know these works at all.
KV131 is exceptional, as it uses 4 horns, a feature it shares with the surrounding symphonies KV130 and 132, something Mozart never did before or after these 3 works AFAIK, not even in the Symphony [no.20] in D KV133, to which for obvious reasons I personally refer as the "Hornsignal" (which symphony shows another anomaly: the reverse of 1st and 2nd themes in the recapitulation of its 1st mvt, btw).
KV131 is exceptional, as it uses 4 horns, a feature it shares with the surrounding symphonies KV130 and 132, something Mozart never did before or after these 3 works AFAIK, not even in the Symphony [no.20] in D KV133, to which for obvious reasons I personally refer as the "Hornsignal" (which symphony shows another anomaly: the reverse of 1st and 2nd themes in the recapitulation of its 1st mvt, btw).
Thank you for that. It's attractive music which I must listen to again.
I found this an odd performance, committed, but ill-fitting of the music somehow. Don't think I've heard of Colin Davis and Mahler linked before, and having heard this I must say I'm not that surprised.
Jessye Norman sounds lovely in a Straussian way, but maybe I prefer a darker voice in this music. Vickers in places, verges on sounding like a frustrated football manager giving his players the hair dryer treatment, I don't know if he struggled with this part.
Nonetheless I found the orchestral colour at times memorably vivid, the avian woodwinds echoing the words, 'Die Vogel hocken ..' in Der Abschied for example, and a darkening evening air pretty persuasively pervaded the score in the susbsequent orchestral passage I thought. For what it's worth, I'll certainly be listening again sometime.
I found this an odd performance, committed, but ill-fitting of the music somehow. Don't think I've heard of Colin Davis and Mahler linked before, and having heard this I must say I'm not that surprised.
Jessye Norman sounds lovely in a Straussian way, but maybe I prefer a darker voice in this music. Vickers in places, verges on sounding like a frustrated football manager giving his players the hair dryer treatment, I don't know if he struggled with this part.
Nonetheless I found the orchestral colour at times memorably vivid, the avian woodwinds echoing the words, 'Die Vogel hocken ..' in Der Abschied for example, and a darkening evening air pretty persuasively pervaded the score in the susbsequent orchestral passage I thought. For what it's worth, I'll certainly be listening again sometime.
Carl Nielsen · Symfoni Nr. 3 "Espansiva", Helios, Ved En Ung Kunstners Båre · Song · 2000
This version seems rather good - but I can't identify the conductor or orchestra from the metadata, and I can't read the cover of the CD to find out who they are.
Maybe someone else will recognise this CD.
Actually it appears in the browser (not in Spotify) from the link above as by
Sjællands Symfoniorkester / Giordano Bellincampi (conductor)
Carl Nielsen · Symfoni Nr. 3 "Espansiva", Helios, Ved En Ung Kunstners Båre · Song · 2000
This version seems rather good - but I can't identify the conductor or orchestra from the metadata, and I can't read the cover of the CD to find out who they are.
Maybe someone else will recognise this CD.
Actually it appears in the browser (not in Spotify) from the link above as by
Sjællands Symfoniorkester / Giordano Bellincampi (conductor)
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