BaL 27.09.14 - Holst: The Planets

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  • Petrushka
    Full Member
    • Nov 2010
    • 12250

    Originally posted by Pulcinella View Post
    The Boult BBCSO 1973 Proms performance released on a BBD MM CD, mentioned above, is a DDD recording according to the CD liner notes.
    Can this be true?
    The Beethoven Piano Concerto No 1 from Paul Lewis, the BBCSO and Belolhavek with which it is coupled is certainly DDD (and a very fine performance it is too) but most definitely not Boult's Planets.

    Also, at 82' 31'' it's a contender for the 'longest CD' thread,
    "The sound is the handwriting of the conductor" - Bernard Haitink

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    • Bryn
      Banned
      • Mar 2007
      • 24688

      Originally posted by LeMartinPecheur View Post
      Um, no!

      EDIT Unless it's a very early experimental recording of course, and I think we would have been told...

      According to Wiki the first commercial 8-track digital recorder (Denon) dates from 1972, but the first commercial digital recording had to wait till 1977.
      Actually Denon issued some digital recordings a little earlier. For instance, Yuji Takahashi's second comercial recording of John Cage's Sonatas and Interludes was a Denon digital recording made in 1975 and issued on LP in 1976. There was also some Satie from him around the same period. The Cage has appeared since on CD in at least 3 versions, the latest one I know of was in 2012 and was remastered to try and compensate for some of the limitation of the early digital system used. I got the Cage LP from the sadly missed Steve's Sounds in the late '70s. It had copious illustrated notes, in Japanese (which I do not read), on the digital system employed. I also got a later CD issue, but not the late '90s remastering.
      Last edited by Bryn; 29-09-14, 22:41. Reason: Update re. more recent re-issue of the Cage (just ordered).

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      • Pabmusic
        Full Member
        • May 2011
        • 5537

        Originally posted by ChrisBennell View Post
        ...Also there hasn't been (I think) any mention of the version for 2 pianos (made by Holst himself I think) . I acquired this a few years back (by Peter Donohue and Martin Roscoe). I feel this brings some extra clarity to the music, at the expense of colour, and is well worth a listen.
        [Anorak goes on] There is a piano duet version by Nora Day and Vally Lasker (Holst's amanuenses during composition of The Planets). It was published in 1923, shortly after the full score. The 2-piano arrangement is by Holst himself and was published in parts between 1949 and 1951.

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        • Bryn
          Banned
          • Mar 2007
          • 24688

          As mentioned in an earlier thread, there is also now a solo piano arrangement by Dave Smith, and very effective it is, too.

          Comment

          • BBMmk2
            Late Member
            • Nov 2010
            • 20908

            Originally posted by Brassbandmaestro View Post
            Black Dyke Band, when then were conducted by the late James Watson, has recorded the work on Doyen.

            Don't forget this one!!! :)
            Don’t cry for me
            I go where music was born

            J S Bach 1685-1750

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            • MickyD
              Full Member
              • Nov 2010
              • 4769

              Originally posted by Pabmusic View Post
              [Anorak goes on] There is a piano duet version by Nora Day and Vally Lasker (Holst's amanuenses during composition of The Planets). It was published in 1923, shortly after the full score. The 2-piano arrangement is by Holst himself and was published in parts between 1949 and 1951.
              I have it in a version recorded by pianists Nettle and Markham.

              Comment

              • mercia
                Full Member
                • Nov 2010
                • 8920

                Originally posted by ardcarp View Post
                He did say, "If only she'd realised he [Holst] was the first minimalist."
                yes, I've forgotten what makes Holst a minimalist - if it is the repetition of little rhythmic patterns, could I call Beethoven a minimalist for repeating the rhythm of the opening of the 5th symphony over and over ?

                Comment

                • Nick Armstrong
                  Host
                  • Nov 2010
                  • 26536

                  Originally posted by mercia View Post
                  yes, I've forgotten what makes Holst a minimalist - if it is the repetition of little rhythmic patterns, could I call Beethoven a minimalist for repeating the rhythm of the opening of the 5th symphony over and over ?
                  I don't get/recall DON's point on that either
                  "...the isle is full of noises,
                  Sounds and sweet airs, that give delight and hurt not.
                  Sometimes a thousand twangling instruments
                  Will hum about mine ears, and sometime voices..."

                  Comment

                  • visualnickmos
                    Full Member
                    • Nov 2010
                    • 3610

                    "If only she'd realised he [Holst] was the first minimalist."

                    He did indeed, say this, and I must say, I was a bit surprised - I hadn't thought about Holst being a minimalist, but - hey - why not....

                    After all, Turner was the first abstract artist....

                    Comment

                    • Tapiola
                      Full Member
                      • Jan 2011
                      • 1688

                      Originally posted by ardcarp View Post
                      He did say, "If only she'd realised he [Holst] was the first minimalist."
                      I do think this is a bit of a nonsense. It's like saying that Bach was the first dodecaphonist on account of the Fugue in B minor from Book 1 of the 48.

                      Comment

                      • gradus
                        Full Member
                        • Nov 2010
                        • 5609

                        Originally posted by ChrisBennell View Post
                        I think no-one has mentioned the Sargent version. Back in the 50s and 60s there were 2 contenders, I seem to remember - Boult and Sargent. I had the Sargent version on LP, and this performance could be relied on to turn up each year at the Proms with the BBC SO. I always found this to be highly enjoyable - although I now have the Dutoit version!

                        Also there hasn't been (I think) any mention of the version for 2 pianos (made by Holst himself I think) . I acquired this a few years back (by Peter Donohue and Martin Roscoe). I feel this brings some extra clarity to the music, at the expense of colour, and is well worth a listen.
                        I agree, the Sargent BBCSO recording is highly enjoyable and quite well recorded too.

                        Comment

                        • verismissimo
                          Full Member
                          • Nov 2010
                          • 2957

                          I recently picked up the LSO with Holst conducting in 1926 - AC Griffith transfer to LP from metals in 1972. 99p from Oxfam in Stratford.

                          Gosh it's good.

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                          • Barbirollians
                            Full Member
                            • Nov 2010
                            • 11686

                            The BBCSO/Boult from 1945 is stupendous and I had forgotten how stupendous - in the boult from Tchaikovsky to Gershwin box you get all three Boult versions on EMI 1945,1966 and 1978

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                            • Barbirollians
                              Full Member
                              • Nov 2010
                              • 11686

                              Did DON mention stokowski ? Uranus sounds like a Disney score in his hands !

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                              • cloughie
                                Full Member
                                • Dec 2011
                                • 22121

                                Originally posted by Barbirollians View Post
                                Did DON mention stokowski ? Uranus sounds like a Disney score in his hands !
                                Disney sound like any other version then. I’ve not listened to it lately but I think early reviews criticised his tinkerings with orchestration. It was an early MFP LP suiting the pockets of students!

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