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Johann Strauss Jr:
Morning Papers, Op. 279 (1864)
Emperor Waltz, Op. 437 (1888)
By the Beautiful Blue Danube, Op. 314 (1867)
Vienna Blood, Op. 354 (1873)
Roses from the South, Op. 388 (from The Queen's Lace Handkerchief) (1880)
Treasure Waltz, Op. 418 (from The Gypsy Baron) (1885)
Thunder and Lightning, Op. 324 (1868) Carl Maria von Weber:
Invitation to the Dance, Op. 65 (1819) Josef Strauss:
Village Swallows, Op. 164 (1864) Richard Strauss:
Rosenkavalier (1910) arr. by Fritz Reiner
Chicago Symphony Orchestra / Fritz Reiner
Recorded Orchestra Hall, Chicago, USA 1957/60
On RCA Living Stereo
Stanford:
Piano Quintet in D minor, Op. 25 (1886)
String Quintet No 1 in F major, Op. 85 (1903)
RTÉ Vanbrugh Quartet with Piers Lane, piano (Op. 25) & Garth Knox, viola (Op. 85)
Recorded 2004 in the Henry Wood Hall, London
On Hyperion
Beefy - Piano miniatures, less experimental than Satie. In some respects closer to Debussy. Delicate and quietly moving. He was Spanish or more accurately Catalan. Shy. Played the piano but didn't do live performances though he did record. Regarded by leading composers but he gave up music for 10 years and went into business to earn money. Married at 64. Died in his 90s in 1987. This is an underrated composer and a good starting place for my 'Latin' journey though it is hardly typical of those styles. The Stephen Hough performances are considered the definitive ones and, yes, I'm keen on that cover too. It is just right for the music.
(El Dabh on American Classics was a googly but before all of the hippydom he was arguably the inventor of electronic music. The early stuff is basic but it would be! I'm firmly in the romantic era with a bit of very early music and one or two classicists. I don't like a lot of the atonal/dissonant/serialism styles but I do like the modern/experimental in electronics, percussion, minimalism etc.)
Beefy - Piano miniatures, less experimental than Satie. In some respects closer to Debussy. Delicate and quietly moving. He was Spanish or more accurately Catalan. Shy. Played the piano but didn't do live performances though he did record. Regarded by leading composers but he gave up music for 10 years and went into business to earn money. Married at 64. Died in his 90s in 1987. This is an underrated composer and a good starting place for my 'Latin' journey though it is hardly typical of those styles. The Stephen Hough performances are considered the definitive ones and, yes, I'm keen on that cover too. It is just right for the music.
(El Dabh on American Classics was a googly but before all of the hippydom he was arguably the inventor of electronic music. The early stuff is basic but it would be! I'm firmly in the romantic era with a bit of very early music and one or two classicists. I don't like a lot of the atonal/dissonant/serialism styles but I do like the modern/experimental in electronics, percussion, minimalism etc.)
He sounds interesting, one for spotify perhaps.
Married at 64 and lived into his nineties? There's something in that, methinks!
I picked up on your El Dabh on the American Classics thread and I made a note to definitely investigate
Although I'm with you on the modern/experimental etc, I also like atonal/dissonant/serialism. however, lacking a technical music understanding, I am unable to explain why
Morton Feldman: Pianos and Voices 1 (published as "Five Pianos") + Chorus and Orchestra 2
Harrison Birtwistle, Morton Feldman, Stephen Savage, Roger Smalley and John Tilbury (pianos),
Chorus and Orchestra of the Royal Academy of Music,
Simon Rattle (chorus master)
Alan Hacker (conductor)
from a BBC Radio 3 Invitation Concert recorded at St. John's, Smith Square on 5 January 1973 and broadcast on 4 April the same year.
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