Alas, I can remember none of the subjects AH talked about in that beautiful voice of his, apart from one where he delved, not into a particular work but into the essence of music itself.
Who can recall his humorous articie in Musical Times (ca. 1954), where he described serial music? To demonstrate the technique he used the letters H U R F I D L A M S T O H as his tone row.
How come that something so slight as this remains in the memory when more important things have disappeared?
Who can recall his humorous articie in Musical Times (ca. 1954), where he described serial music? To demonstrate the technique he used the letters H U R F I D L A M S T O H as his tone row.
How come that something so slight as this remains in the memory when more important things have disappeared?
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